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30 Years of Stones Throw Records with Peanut Butter Wolf - Berry Gordy Speaker Series
Oct. 06
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Coltrane at 100: Symposium
Oct. 09
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Coltrane at 100: Meditations / Infinity
Oct. 10
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Pianist Vicki Ray: Concert Curation IS Composition!
Oct. 14
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Arnold Schoenberg and That Ol' Atonal Music: A Conversation
Oct. 15
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Sound Communities: How Ethnomusicology Can Make the World a Better Place
Oct. 16
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UCLA Bassoon Day
Oct. 17
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Music Alive in the Archive: Legacy and Promise -- 65 Years of the UCLA Ethnomusicology Archive
Oct. 24
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LA’s 33 Strings (三十三絃の会)
Oct. 24
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Kinnara Gagaku in Concert
Oct. 24
UCLA Nazir Ali Jairazhboy Colloquium Dawn Norfleet: Beyond Being Alice Coltrane and Betty Davis As the centennial celebrations of John Coltrane and Miles Davis reach sunset, we will shine light on the unique artistry of two exceptional musicians, Alice McLeod Coltrane and Betty Gray Mabry Davis. These women played significant roles in the lives and music of jazz luminaries John and Miles during their brief marriages; even more importantly, they were impactful music and culture creators whose full recognition may have been overshadowed by their iconic husbands until recent years. Beyond being John’s collaborator, Alice Coltrane was a music visionary fusing improvisation, jazz, gospel, and Indian traditions in her compositions and recordings. Her Hindu devotees honored her as and Hindu spiritual leader, Swamini A.C. Turiyasangitananda. Beyond being “Miles’ muse”, Betty Gray Mabry was a trailblazing Black female rocker, songwriter, and bandleader at the height of the Soul Era. Her raspy voice and raunchy lyrics expressed an overt sexuality and aggressive performativity that was presumed the domain of white male rock artists, while also being considered too provocative for many Black listeners influenced by aesthetics of gospel and Motown. We will not only discuss the strong impact Alice and Betty had on the musical direction of John and Miles, but also, how these women were cultural catalysts on the merits of their own artistry.