The Golden Age of American Bands captured the imagination of the public in the latter part of the 1800s and through the first decades of the 20th century. Bands became a primary source of entertainment in cities and towns all across the nation and legendary band leaders like Patrick Gilmore and John Philip Sousa were celebrities in their day. Virtuoso soloists like Jules Levy, Arthur Pryor, and Herbert L. Clarke dazzled the thousands who flocked to the concerts by these famous bands. As part of the formal launch of the Center for American Band History Research at the University of Michigan, the School of Music, Theatre & Dance along with the Clements Library are proud to present a concert of traditional music from this era, played with the authentic instrumentation of these early bands. From marches written for newspapers of the day, to novelties, brass solos, songs, and orchestral transcriptions, this concert is a tribute to the birth of the great American band tradition. PROGRAM March, The Billboard - John Klohr Overture, Light Cavalry - von Suppe March, The Detroit Free Press - W.P. Chambers Cornet solo, \"The Debutante\" - Herbert L. Clarke (Robert Sullivan, soloist) March, The Pittsburgh Post Gazette - Bruno Novelty, The Whistler and his Dog - Arthur Pryor March, The St. Louis Post Dispatch - Arthur Pryor Aria, \"Habanera\" from *Carmen* - Georges Bizet (Amoura Bethea, soprano) March, The Washington Post - J.P. Sousa Galop, Blue Streak (The Indianapolis News) - R.B. Eisenberg

The Berofsky Piano Quartet returns to perform at the University of Michigan School of Music, Theatre & Dance. Professors Aaron Berofsky (violin) and Kathryn Votapek (viola) are joined by their sons Sebastian (cello) and Charles (piano), who are currently based in New York City. PERFORMERS Aaron Berofsky, violin Kathryn Votapek, viola Sebastian Berofsky, cello Charles Berofsky, piano PROGRAM Ludwig van Beethoven: Piano Quartet in E-flat Major, Op. 16 I. Grave - Allegro ma non troppo II. Andante cantabile III. Rondo. Allegro ma non troppo Danny Elfman: Piano Quartet (2017) I. Ein Ding II. Kinderspott III. Duett für Vier IV. Ruhig V. Die Wolfsjungen *Intermission* Antonín Dvořák: Piano Quartet No. 2 in E-flat Major, Op. 87 I. Allegro con fuoco II. Lento III. Allegro moderato, grazioso – Un pochettino più mosso IV. Finale. Allegro ma non troppo

Enjoy LIVE collaborative performances by U-M SMTD faculty & students in an intimate setting. Join us in the Dance Building’s Perry Kasper Granoff Studio. The event runs 6:30 – 7:15pm. Free parking is available. Seating is limited.

Please note: This lecture will be held in person in East Hall 4448. We recommend entering East Hall using the Church Street entrance and taking the elevator to the 4th floor. This event is in-person only and will not be livestreamed or recorded. This lecture examines how dance is transformed through embodied transmission rather than preserved as a fixed tradition. Drawing on more than three decades of artistic practice between New York and Japan, Yasuko Yokoshi reflects on how choreography, Nihon Buyo, and Noh have continually reshaped her body and artistic practice. Through performance examples and the ongoing dojojiproject, the lecture considers transformation not as the opposite of the archive, but as the very condition through which dance survives. Yasuko Yokoshi is a choreographer and dancer whose work explores embodied transmission, dance lineage, and the unstable nature of dance as a living archive. Based in New York from 1996 to 2015, she received two New York Dance and Performance “Bessie” Awards (2003, 2006), a Guggenheim Fellowship, a NYFA Artist Fellowship, support from Creative Capital, and a Foundation for Contemporary Arts Award. Her works have been presented internationally, often engaging the space between contemporary dance and Japanese traditional performing arts. This lecture is co-sponsored by the Department of Dance. To learn more about this department, please visit This lecture is supported in part by the William P. Malm Fund. If there is anything we can do to make this event accessible to you, please contact us. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.

The U-M School of Music, Theatre & Dance (SMTD) is consistently ranked in the top 10 in the country. For this concert, students will present classical music performed on a range of instruments from different programs. Learn more about SMTD online at

Enjoy LIVE collaborative performances by U-M SMTD faculty & students in an intimate setting. Join us in the Dance Building’s Perry Kasper Granoff Studio. The event runs 6:30 – 7:15pm. Free parking is available. Seating is limited.

Join us for \"Movie Night\" featuring a screening of the 1924 Buster Keaton silent film, *Sherlock Jr.*, with a film score by composer Stephen Prutsman performed live by the Telegraph Quartet with recent U-M doctoral graduate, pianist Takeshi Nagayasu. The program also includes two other works influenced by film or staged works – Dimitri Shostakovich’s *Elegy* and *Polka*, and Erich Wolfgang Korngold’s String Quartet No. 3 in D Major, Op. 34. Shostakovich wrote *Elegy* and its companion piece *Polka* in a single night in 1931. *Elegy* is the transcription of a haunting aria from his opera *Lady Macbeth of Mtsensk*, while *Polka* is a version of a comical dance from his soccer-inspired ballet *The Golden Age*. These short pieces were lost for many years and not rediscovered until the 1980s when they were made available by the USSR State Copyright Agency. Korngold’s String Quartet No. 3 was his last chamber music work, completed in 1945. Korngold was one of the most influential composers in Hollywood, and in his third string quartet he quoted from his scores for films including *Between Two Worlds* (1944), *The Sea Wolf* (1941), and *Devotion* (1943). A stylistically versatile composer, Prutsman has written scores to accompany several of Buster Keaton’s silent films – many of which are decidedly comedic. For this story, which involves a dream sequence, a secret theft, a wild villain chase, and pining after a love interest, Prustman turns to an assortment of tones, rhythms, and musical techniques in order to emphasize the emotional stakes throughout the film. ABOUT TELEGRAPH QUARTET The Telegraph (Eric Chin and Joseph Maile, violins; Pei-Ling Lin, viola; Jeremiah Shaw, cello) formed in 2013 with an equal passion for standard and contemporary chamber music repertoire; they rose quickly, winning the prestigious 2016 Walter W. Naumburg Chamber Music Award and the Grand Prize at the 2014 Fischoff Chamber Music Competition. Today, they perform across the United States and abroad, at venues including New York City’s Carnegie Hall, Lincoln Center, and Town Hall; San Francisco’s Herbst Theatre; the Philharmonie de Paris; and at festivals including the Chautauqua Institute, Music in the Vineyards in Napa Valley, and the Emilia Romagna Festival in Italy. The Telegraph Quartet released its celebrated debut album *Into the Light* in 2018 and is currently recording an extensive three-album series titled *20th Century Vantage Points* for Azica Records, exploring string quartets of the 20th century. The first volume, *Divergent Paths* (2022), features two works that (to the best of the Quartet’s knowledge) have never been recorded on the same album before: Maurice Ravel’s String Quartet in F Major and Arnold Schoenberg’s String Quartet No. 1 in D minor, Op. 7. In August 2025, the Telegraph released the second volume, *Edge of the Storm*, which examines the turbulent years of war and its aftermath from 1941-1951 through string quartets by Grażyna Bacewicz, Benjamin Britten, and Mieczysław Weinberg. Volume three will be released in fall 2027. In addition, the Telegraph released a recording of the string quartets of Robert Sirota in summer 2026 (Azica Records) and will release a recording of Kenji Bunch string quartets in spring 2027 (Phenotypic Records). Beyond the concert stage, the Telegraph Quartet seeks to spread its music through education and audience engagement. The Quartet has given master classes, served as artists-in-residence, and launched ChamberFEAST!, a chamber music workshop in Taiwan. In fall 2020, Telegraph launched an online video project called TeleLab, in which the ensemble collectively breaks down the components of a movement from various works for quartet. In the summers of 2022 and 2024, the Telegraph Quartet traveled to Vienna to work with Schoenberg expert Henk Guittart in conjunction with the Arnold Schoenberg Center, researching all of Schoenberg's string quartets.

Multiple Grammy-winning American composer Michael Daugherty has served on the faculty of the University of Michigan's School of Music, Theatre & Dance for over 30 years. As his tenure here comes to a close, the Symphony Band celebrates his remarkable musical legacy with a concert of original music for band composed by Daugherty over the past quarter century. Highlights include his concerti for timpani and trombones, the world-famous \"Bells for Stokowski\" and a new setting of his \"Cadillac Ranch\" co-commissioned by the Symphony Band with the support of the H. Robert Reynolds Commissioning Fund. Jason Fettig, conductor Xin Yi Chong, timpani soloist David Jackson and 2 students TBA, trombone soloists Michael Haithcock, guest conductor John Pasquale, guest conductor Michael Daugherty, composer PROGRAM *Raise the Roof* *Cadillac Ranch* *Rosa Parks Boulevard* *Dona Nobis Pacem* *Bells for Stokowski* Michael Daugherty Faculty Bio: ––– *Parking / Traffic alert for attendees:*

This popular and family-friendly tradition brings together the University Symphony and University Philharmonia Orchestras for a musical celebration of the spooky season. Kenneth Kiesler, artistic director Student tickets are not available for this performance. Recommended Ages: 3+ PROGRAM *March of the Little Goblins*, Adam Glaser *Danse Macabre*, Op. 40, Camille Saint-Saëns *Symphonie Fantastique, Marche au supplice*, Hector Berlioz *Polonaise* from *Eugene Onegin* (Act III), Pyotr Ilyich Tchaikovsky *Intermezzo* from *Cavalleria Rusticana*, Pietro Mascagni *Dance of the Clowns* from *The Snow Maiden Suite*, Nikolai Rimsky-Korsakov *William Tell Overture* (excerpts), Gioachino Rossini *Waltz* from *Masquerade Suite*, Aram Khachaturian *Walking the Dog Promenade*, George Gershwin *Short Ride in a Fast Machine*, John Adams *Ghostbusters*, Holcombe, arr. Parker ––– *Parking / Traffic alert for attendees:*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Primarily for non-music majors who desire a concert band experience, the University and Campus Bands are open to the entire U-M community and offer a great opportunity to enjoy an immersive musical experience and to learn from SMTD’s renowned faculty. The University Band is the most advanced non-music-major band and placement is by audition. Campus Band is open to any student with experience. Campus Band: Richard Frey, conductor University Band: John Pasquale, conductor Kate Stienstra, student conductor (Fisher) PROGRAM CAMPUS BAND: *A Time to Dance*, Julie Giroux *Little Mexican Suite* - III. *Sahuaro*, IV. *Ceiba*, Nubia Jaime Donjuan *Vesuvius*, Frank Ticheli *Golden Jubilee March*, John Philip Sousa UNIVERSITY BAND: *Lux Perpetua*, Frank Ticheli *Pathways*, Danielle Fisher *Deep River*, Ben Horne *Vulcan*, Michael Daugherty ––– *Parking / Traffic alert for attendees:*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

The mazurka, one of Poland’s most distinctive musical dance forms, continues to inspire composers far beyond its traditional origins. While often associated with Frédéric Chopin, this recital explores the broader and evolving story of the mazurka through the voices of both celebrated and lesser-known composers from Poland and around the world. The program presents a diverse collection of works that reveal how composers have transformed this Polish dance into a vehicle for artistic expression, cultural identity, and contemporary creativity. It includes mazurkas by Karol Szymanowski, whose innovative language expanded the genre in the twentieth century, as well as works by composers inspired by Chopin’s legacy, including Zygmunt Stojowski, Julian and Nathalie Janotha. The program also features mazurkas by lesser-known Polish composers such as Wojciech Kilar and Mikołaj Piotr Górecki, whose individual musical voices offer new perspectives on the evolution of the genre. Special attention is given to the contributions of female composers, whose works enrich the mazurka’s continuing legacy. Alongside these historical works, the program features newly commissioned mazurkas created for the international 21st Mazurkas project—a visionary artistic initiative conceived, developed, and realized by pianist Anna Kijanowska. Bringing together composers from Poland, Europe, North America, South America, and New Zealand, the project presents the mazurka as a living international form. These contemporary works demonstrate the remarkable adaptability of the genre, blending elements of folk tradition, personal expression, modern compositional techniques, and diverse cultural influences. Each composer offers a unique perspective, transforming the mazurka into a global musical language while maintaining its connection to its Polish roots. Among the contributors is Matthew Bengtson, Associate Professor of Piano Literature at the University of Michigan, whose commissioned mazurka forms part of this international collection. All of these new works were written especially for pianist Anna Kijanowska and recorded on the award-winning DUX album 21st Mazurkas (DUX 2149). The recording received the Platinum Prize at the Golden European Piano Awards 2025, together with the Special Regional Representative Award (Cieszyn, Poland) and the Artist of the Month distinction. Through a dialogue between historical voices and contemporary creators, *Mazurka: Dance of a Polish Soul, Voice of the World* celebrates the mazurka as a living art form—one that continues to evolve across generations, cultures, and continents, while remaining deeply connected to Poland’s rich musical heritage. *This event is supported in part by the Weiser Center for Europe and Eurasia, and partially funded by a scholarship from the Ministry of Culture and National Heritage, Republic of Poland.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Senior Bachelor of Fine Arts (BFA) in Dance majors present a joint concert of their choreography at the conclusion of their studies in the dance program. Free tickets will be available in advance of the performance.

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Senior Bachelor of Fine Arts (BFA) in Dance majors present a joint concert of their choreography at the conclusion of their studies in the dance program. Free tickets will be available in advance of the performance.

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Led by seven-time Grammy nominee John Santos, the John Santos Sextet brings Afro-Latin jazz to life through irresistible rhythms, bold improvisation, and deep musical connection. The ensemble blends jazz with the rich traditions of the Caribbean and Latin America, creating music that is both rooted in history and vibrantly contemporary. Known for its dynamic performances and exceptional musicianship, the sextet invites audiences into a joyful, soulful exploration of rhythm and culture. Expect an unforgettable evening of percussion-driven grooves, spirited collaboration, and music that moves both body and mind. Presented by the Center for World Performances Studies with support from the School of Music, Theatre & Dance Percussion Program. *If you are a person with a disability who requires an accommodation to participate in this event, please contact the Center for World Performance Studies at cwps.information@umich.edu at least one week in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.*

Senior Bachelor of Fine Arts (BFA) in Dance majors present a joint concert of their choreography at the conclusion of their studies in the dance program. Free tickets will be available in advance of the performance.

Senior Bachelor of Fine Arts (BFA) in Dance majors present a joint concert of their choreography at the conclusion of their studies in the dance program. Free tickets will be available in advance of the performance.

These ensembles are part of the Michigan Youth Ensembles (MYE) program, which brings together exceptional high school students for weekly rehearsals at SMTD. MYE Students, who are selected by audition, have the opportunity to engage in a stimulating environment, while learning from U-M conductors, applied faculty, and graduate students. PROGRAM Michigan Youth Symphonic Band Courtney Snyder, conductor *From Breath to Breath*, Elena Specht Symphony No. 2, James Barnes *Ad Astra*, Stephen Elsinger Michigan Youth Philharmonia Orchestra Michael Hopkins, conductor *Brandenburg Concerto No. 3*, J.S. Bach, arr. Merle J. Isaac *October*, Eric Whitacre *Capriol Suite*, Peter Warlock *The Horizon*, Yukiko Nishimura *St. Paul's Suite movement IV - The Darason*, Gustav Holst Michigan Youth Symphony Orchestra Jayce Ogren, conductor *Strum*, Jessie Montgomery *Two Elegiac Melodies, op. 34 - no. 2, The Spring*, Edvard Grieg Slavonic Dances, op. 46 (8), op. 72 (2, 7 and 8), Antonín Dvořák *Four Dance Episodes from Rodeo*, I. \"Buckaroo Holiday\" and IV. \"Hoe-down\", Aaron Copland ––– *Parking / Traffic alert for attendees:*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Join us for a Work-In-Progress showing with Nora Sharp. Presented by Daring Dances and the Center for World Performance Studies. ABOUT THE GUEST ARTIST Working across performance and film, NORA SHARP hosts audiences in worlds where language and embodiment merge in unexpected and illuminating ways. A past Queer|Art Fellow, Chicago Dancemakers Forum Lab Artist Awardee, and Oberlin Screenwriters Intensive Fellow, Nora has had work presented or published by The Momentary, On the Boards, Links Hall Co-MISSIONS, Movement Research at the Judson Church, Steppenwolf LookOut, New Dance Alliance, Midwest RAD Fest, Dixon Place, Open TV, the Fly Honey Show, Pivot Arts Festival, Shawl-Anderson Dance Center, Cannonball Festival, Notes on Masculinity, Salonathon, WUSSY Mag, Performance Response Journal, upcoming in the anthology *Dancing on the Third Coast* (University of Illinois Press, 2026) and on many other stages, pages, and screenings both DIY and institutional across the country. Nora works full-time in social change organizing in addition to their creative practice. *If you are a person with a disability who requires an accommodation to participate in this event, please contact the Center for World Performance Studies at cwps.information@umich.edu at least one week in advance of this event. Please be aware that advance notice is necessary as some accommodations may require more time for the University to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

This is a unique, largely improvisation-based group that invites interaction with other performance fields such as dance, theatre, and music technology. Marcus Elliot, director

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Master of Fine Arts in Dance candidate Kate Tsuruharatani presents a program of original dance works.

Acclaimed Telegraph Quartet, now in residency at the School of Music, Theatre & Dance, performs a recital. ABOUT TELEGRAPH QUARTET Erin Chin & Joseph Maile, violins Pei-Ling Lin, viola Jeremiah Shaw, cello The TELEGRAPH QUARTET formed in 2013 with an equal passion for standard and contemporary chamber music repertoire. Described by the *San Francisco Chronicle* as “…an incredibly valuable addition to the cultural landscape” and “powerfully adept… with a combination of brilliance and subtlety,” the Telegraph Quartet was awarded the prestigious 2016 Walter W. Naumburg Chamber Music Award and the Grand Prize at the 2014 Fischoff Chamber Music Competition. The quartet is currently the quartet-in-residence at the University of Michigan. The quartet has performed in New York City’s Carnegie Hall and Lincoln Center, San Francisco’s Herbst Theatre, the San Francisco Conservatory of Music’s *Chamber Masters Series*, and at festivals including the Chautauqua Institute, Kneisel Hall Chamber Music Festival, and the Emilia Romagna Festival. They have collaborated with pianists Leon Fleisher and Simone Dinnerstein; cellists Norman Fischer and Bonnie Hampton; violinist Ian Swensen; and the St. Lawrence Quartet and Henschel Quartett. A fervent champion of 20th- and 21st-century repertoire, the Telegraph Quartet has premiered works by Osvaldo Golijov, John Harbison, Robert Sirota, and Richard Festinger. In 2023, the Telegraph Quartet released *20th Century Vantage Points: Divergent Paths*, the first in a trilogy of recordings on Azica Records exploring the string quartets of the first half of the 20th century – an era of music that the group has felt especially called to perform since its formation. *Divergent Paths* features two works that (to the best of the quartet’s knowledge) have never been recorded on the same album before: Maurice Ravel’s String Quartet in F Major and Arnold Schoenberg’s String Quartet no. 1 in D minor, op. 7. The quartet’s new album, *20th Century Vantage Points: Edge of the Storm* is out now on Azica Records.

This production features work created by students outside of curricular requirements and is entirely created and produced by students within the Department of Dance. Often highlighted by multidisciplinary explorations, collaborations, fragments of class exercises expanded into fuller dances, and more, the concert is led by the Dance Student Assembly (DSA) intradepartmental group.

The University of Michigan Campus Orchestras are made up of two main orchestras: Campus Symphony Orchestra (CSO) and Campus Philharmonia Orchestra (CPO). Both groups are comprised of non-music major students, faculty members, staff, and alumni of the University of Michigan. The Campus Orchestras are conducted by Graduate Student Conductors at the School of Music, Theatre & Dance. Some of the past Campus Orchestras conductors are now assistant conductors or music directors in professional orchestras around the country. PROGRAM Campus Symphony Orchestra: *Overture to an Unwritten Tragedy*, Hubert Parry *Preludio sinfonico*, Giacomo Puccini Symphony No. 2 in C minor, Op. 17, Pyotr Ilyich Tchaikovsky Campus Philharmonia Orchestra: *Coriolan Overture*, Op. 62, Ludwig van Beethoven *Carmen Suite* No. 1, Georges Bizet *Intermezzo* from *Goyescas*, Enrique Granados *Polovtsian Dances*, Alexander Borodin ––– *Parking / Traffic alert for attendees:*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

Experience a curated experience of the imaginary, featuring a lightly sci-fi, magnificent work of art--the LRCCS Fortune and Longevity Dragon, a 25-ft long, Asian-inspired full-body dragon sculpture for use in the traditional \"dragon dance\" crafted by renowned international artist Zhen Guo with U-M faculty arts lecturer Raymond Wetzel, artist Jeri Rosenberg, students, and volunteers The exhibition highlights the story of the dragon's fabrication and its impact on community.. An iconic symbol of inclusivity, strength, and courage, this newly imagined U-M dragon, with its futuristic flair, technological creativity and sustainable materials, invites students and the entire community to re-envision a classic cultural symbol for contemporary times. Presented by the Lieberthal-Rogel Center for Chinese Studies. This project was made possible by grants from the University of Michigan Arts Initiative and the Office of the Provost, Global Engagement. Additional funding was provided by ArtsEngine, Center for World Performance Studies, Stearns Collection of Musical Instruments, and U.S. Department of Education. With support from Asian Languages and Cultures, International Institute, James and Anne Duderstadt Center, Nam Center for Korean Studies, Residential College, School of Kinesiology, School of Music, Theatre & Dance, Taubman College, University of Michigan Library, University of Michigan Museum of Art, and Women’s and Gender Studies Department. *If there is anything we can do to make this event accessible to you, please contact us at cstep@umich.edu. Please be aware that advance notice is necessary as some accommodations may require more time for the university to arrange.*

*The Nutcracker(ish)* returns to Ann Arbor, blending the beloved story of *The Nutcracker and the Mouse King* with elements from *The Wizard of Oz*, creating a whimsical and comedic dance theatre mash-up that is sure to captivate audiences of all ages. *Please check back for ticketing information.* This vibrant production combines Tchaikovsky’s iconic score with Duke Ellington’s jazzy *Nutcracker Suite*, offering a unique, multicultural twist on the classic ballet. With an array of diverse dance styles and theatrical elements, *The Nutcracker(ish)* celebrates the beauty of cultural expression and inclusivity, transporting viewers into a magical, richly layered world. Created by Tim Rhoze and director-choreographer Kara Roseborough, this production brings together a talented cast of dancers and actors from the University of Michigan. Audiences can expect dazzling choreography, imaginative costumes, and a story that’s full of surprises, humor, and heart.

*The Nutcracker(ish)* returns to Ann Arbor, blending the beloved story of *The Nutcracker and the Mouse King* with elements from *The Wizard of Oz*, creating a whimsical and comedic dance theatre mash-up that is sure to captivate audiences of all ages. *Please check back for ticketing information.* This vibrant production combines Tchaikovsky’s iconic score with Duke Ellington’s jazzy *Nutcracker Suite*, offering a unique, multicultural twist on the classic ballet. With an array of diverse dance styles and theatrical elements, *The Nutcracker(ish)* celebrates the beauty of cultural expression and inclusivity, transporting viewers into a magical, richly layered world. Created by Tim Rhoze and director-choreographer Kara Roseborough, this production brings together a talented cast of dancers and actors from the University of Michigan. Audiences can expect dazzling choreography, imaginative costumes, and a story that’s full of surprises, humor, and heart.

*The Nutcracker(ish)* returns to Ann Arbor, blending the beloved story of *The Nutcracker and the Mouse King* with elements from *The Wizard of Oz*, creating a whimsical and comedic dance theatre mash-up that is sure to captivate audiences of all ages. *Please check back for ticketing information.* This vibrant production combines Tchaikovsky’s iconic score with Duke Ellington’s jazzy *Nutcracker Suite*, offering a unique, multicultural twist on the classic ballet. With an array of diverse dance styles and theatrical elements, *The Nutcracker(ish)* celebrates the beauty of cultural expression and inclusivity, transporting viewers into a magical, richly layered world. Created by Tim Rhoze and director-choreographer Kara Roseborough, this production brings together a talented cast of dancers and actors from the University of Michigan. Audiences can expect dazzling choreography, imaginative costumes, and a story that’s full of surprises, humor, and heart.

*The Nutcracker(ish)* returns to Ann Arbor, blending the beloved story of *The Nutcracker and the Mouse King* with elements from *The Wizard of Oz*, creating a whimsical and comedic dance theatre mash-up that is sure to captivate audiences of all ages. *Please check back for ticketing information.* This vibrant production combines Tchaikovsky’s iconic score with Duke Ellington’s jazzy *Nutcracker Suite*, offering a unique, multicultural twist on the classic ballet. With an array of diverse dance styles and theatrical elements, *The Nutcracker(ish)* celebrates the beauty of cultural expression and inclusivity, transporting viewers into a magical, richly layered world. Created by Tim Rhoze and director-choreographer Kara Roseborough, this production brings together a talented cast of dancers and actors from the University of Michigan. Audiences can expect dazzling choreography, imaginative costumes, and a story that’s full of surprises, humor, and heart.

Master of Fine Arts in Dance candidate Olga Rabetskaya presents a program of original dance works.

Master of Fine Arts in Dance candidate Olga Rabetskaya presents a program of original dance works.

The University of Michigan Dance Company presents a broad spectrum of contemporary dance practices performed by students in the Department of Dance. This all-ages concert will feature the work of four choreographers: Professor Shannon Gillen, founder and artistic director of dance company VIM VIGOR; Professor Amy West, whose dance work *Rock ’n Roll Ballet* will feature an original score by Professor Erik Santos and Jason Magee; guest artist Kim Jones, whose *Adorations Reimagined* will reimagine the 1975 work by Martha Graham; and guest artist Kia Smith, artistic director of South Chicago Dance Theatre. Artistic Direction by Jillian Hopper

The University of Michigan Dance Company presents a broad spectrum of contemporary dance practices performed by students in the Department of Dance. This all-ages concert will feature the work of four choreographers: Professor Shannon Gillen, founder and artistic director of dance company VIM VIGOR; Professor Amy West, whose dance work *Rock ’n Roll Ballet* will feature an original score by Professor Erik Santos and Jason Magee; guest artist Kim Jones, whose *Adorations Reimagined* will reimagine the 1975 work by Martha Graham; and guest artist Kia Smith, artistic director of South Chicago Dance Theatre. Artistic Direction by Jillian Hopper

The University of Michigan Dance Company presents a broad spectrum of contemporary dance practices performed by students in the Department of Dance. This all-ages concert will feature the work of four choreographers: Professor Shannon Gillen, founder and artistic director of dance company VIM VIGOR; Professor Amy West, whose dance work *Rock ’n Roll Ballet* will feature an original score by Professor Erik Santos and Jason Magee; guest artist Kim Jones, whose *Adorations Reimagined* will reimagine the 1975 work by Martha Graham; and guest artist Kia Smith, artistic director of South Chicago Dance Theatre. Artistic Direction by Jillian Hopper

The University of Michigan Dance Company presents a broad spectrum of contemporary dance practices performed by students in the Department of Dance. This all-ages concert will feature the work of four choreographers: Professor Shannon Gillen, founder and artistic director of dance company VIM VIGOR; Professor Amy West, whose dance work *Rock ’n Roll Ballet* will feature an original score by Professor Erik Santos and Jason Magee; guest artist Kim Jones, whose *Adorations Reimagined* will reimagine the 1975 work by Martha Graham; and guest artist Kia Smith, artistic director of South Chicago Dance Theatre. Artistic Direction by Jillian Hopper

Master of Fine Arts in Dance candidate Alana Howard presents a program of original dance works.