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Tayshaun and Addison Sullivan Junior Clarinet Recital
in 10 hours in 26 minutes
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Ruxi Wang Doctoral Piano Recital
in 11 hours in 56 minutes
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USC Symphony Orchestra and Choirs of Carolina: War and Peace
in 13 hours in 26 minutes
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Addison Perkins Doctoral Guitar Recital
in 13 hours in 26 minutes
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Francisco Ballestas Doctoral Trumpet Recital
Apr. 22
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Live in the Lobby Jazz: Mar Vilaseca
Apr. 22
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Carolina Alive Vocal Jazz Ensemble
Apr. 22
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Harley Bassoon Studio Recital
Apr. 22
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Raisler Chamber Recital
Apr. 23
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New Sounds Quartet Spring Recital
Apr. 23
Ieva Jokubaviciute Guest Artist Piano Recital
Piano
Violin
Voice
Symphony
Orchestra
Location: School of Music 206 Recital Hall
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2-17-2026 7:30 pm
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9:00 pm
(America/New_York)
(1 hour 30 minutes)
Admission Cost: FREE
Lithuanian pianist Ieva Jokubaviciute's powerfully intricate performances have led critics to describe her as possessing “razor-sharp intelligence and wit” (The Washington Post) and as "an artist of commanding technique, refined temperament, and persuasive insight" (The New York Times). Jokubaviciute’s recital programs and recording projects bring her to major stages across the US and Europe. She made her orchestral debut with the Chicago Symphony Orchestra at the Ravinia Festival and has since established a career as prominent soloist as well much sought-after collaborative artist, with appearances at major festivals worldwide, and numerous tours with violinist Midori.
Currently Professor at Duke University, Ms. Jokubaviciute's recital program includes 11 short pieces by Johannes Brahms from his Op. 116 and Op. 119 sets, alongside the recently composed Etudes for Piano by American composer Scott Lindroth. As the performer writes, “by juxtaposing contemporary piano études with the miniature masterpieces of Johannes Brahms, a master of Romantic small forms, this program explores a dialogue across time. The selected works reveal the piano’s rich expressive spectrum—from color and lyricism to virtuosity—highlighting both continuity and contrast between nineteenth-century Romanticism and contemporary compositional voices.”