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Symphonic Winds: Getting There
in 13 hours in 50 minutes
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Gabriel Sill Senior Euphonium Recital
in 15 hours in 50 minutes
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Jackson Thorpe, Guest Artist Saxophone Recital
Oct. 05
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Frank Sanders Graduate Multiple Woodwinds Recital
Oct. 06
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The United European Ballet Company: Cinderella
Oct. 06
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Joel Weiss Doctoral Voice Recital
Oct. 07
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Echoes of Identity: Music by Jewish Composers featuring USC Professors Ari Streisfeld, violin, and Lynn Kompass, piano
Oct. 07
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Levitt AMP Columbia Music Series: Sam Morrow
Oct. 08
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Graduate Saxophone Quartet Recital
Oct. 08
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Luise E. Peake Colloquium: SPARK Grants 101
Oct. 09
Ieva Jokubaviciute Guest Artist Piano Recital
Piano
Violin
Voice
Symphony
Orchestra
Location: School of Music 206 Recital Hall
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2-17-2026 7:30 pm
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9:00 pm
(America/New_York)
(1 hour 30 minutes)
Admission Cost: FREE
Lithuanian pianist Ieva Jokubaviciute's powerfully intricate performances have led critics to describe her as possessing “razor-sharp intelligence and wit” (The Washington Post) and as "an artist of commanding technique, refined temperament, and persuasive insight" (The New York Times). Jokubaviciute’s recital programs and recording projects bring her to major stages across the US and Europe. She made her orchestral debut with the Chicago Symphony Orchestra at the Ravinia Festival and has since established a career as prominent soloist as well much sought-after collaborative artist, with appearances at major festivals worldwide, and numerous tours with violinist Midori.
Currently Professor at Duke University, Ms. Jokubaviciute's recital program includes 11 short pieces by Johannes Brahms from his Op. 116 and Op. 119 sets, alongside the recently composed Etudes for Piano by American composer Scott Lindroth. As the performer writes, “by juxtaposing contemporary piano études with the miniature masterpieces of Johannes Brahms, a master of Romantic small forms, this program explores a dialogue across time. The selected works reveal the piano’s rich expressive spectrum—from color and lyricism to virtuosity—highlighting both continuity and contrast between nineteenth-century Romanticism and contemporary compositional voices.”