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  • April 27
    6:00 PM
    Tenzin Norbu: The dranyen (སྒྲ་སྙན་) and other Tibetan instruments
    Monday, April 27, 6:00 PM EDT

    Come and experience the varied regional styles of the Tibetan dranyen (སྒྲ་སྙན་ lute) from the master musician and multi-instrumentalist, Tenor (Tenzin Norbu). The dranyen is played across the central, southern and western areas of the vast Tibetan Buddhist Himalaya in dance-songs performed for ceremonial occasions and entertainment by community and itinerant musicians. Both a melodic and a percussive instrument, its name means ‘sweet sound’. Tenor will also demonstrate the piwang (པི་ཝང་ fiddle) played with the dance-songs of eastern Tibet. Tenzin Norbu is a distinguished Tibetan musician, educator, and cultural advocate, dedicated to preserving and evolving traditional Tibetan performing arts. Born in Lhasa, Tibet, in 1982, he relocated to India at the age of 11. His deep passion for Tibetan music began early in life, leading him to actively participate in school-based cultural programs and extracurricular activities. He joined TIPA in 2004, specializing in traditional Tibetan instruments including the dranyen, piwang, flute, and gyumang. He also learned Western guitar, bass, and piano, the Chinese erhu, and self-studied digital audio workstations. In 2014, Mr. Norbu relocated to New York City.

    • 4 hr
    Piano Flute Bass Tenor
  • April 28
    4:00 PM
    Robert M. Stevenson Lecture with Dr. Carina Venter
    Tuesday, April 28, 4:00 PM EDT

    Join us for the Robert M. Stevenson Lecture, featuring guest speaker Carina Venter. The lecture will take place on Tuesday, April 28th at 4:00 PM in the Schoenberg Music Building Green Room. Venter will present a talk titled “On uncomfortable work: Thinking with and against what apartheid would not name,” exploring archival narratives of abuse within the classical music performance culture of apartheid South Africa. In this talk, Venter argues that an archive inscribed in complicity and structured by silences and gaps expands the analytic focus of work on classical music and abuse beyond music institutions and patterns of asymmetric power to the political and intimate lives through which unnameable violence becomes visible. Carina Venter is Senior Lecturer in Musicology at Stellenbosch University and Chair of the South African Society for Research in Music. She holds a doctorate and a master’s in musicology from the University of Oxford, where she studied as a Rhodes Scholar, and an MBA from Stellenbosch Business School. Her research examines the entanglements of music and violence, with interests in apartheid aesthetics, historical trauma, gender, decolonial and postcolonial thought. Beyond music studies, her work engages questions of disability, access, and inclusive innovation across cultural and institutional contexts. Carina has published in journals including Social Dynamics, South African Music Studies, Transformation in Higher Education and Tempo. She has co-edited a special issue for the Journal of Musicology on music and landscape, and has contributed to an edited volume on Jacques Rancière published by Edinburgh University Press. Dr. Venter is currently an early career research fellow at the Stellenbosch Institute for Advanced Study and a research fellow at the National Humanities Centre, where she is writing a book on histories of trauma and abuse in South African classical music. In her delivery of the Spring 2026 Robert M. Stevenson Lecture, she will reflect on themes emerging from her current book project.

    • 1 hr
  • April 29
    8:00 PM
    Julian Johnson, Trumpet GJS
    Wednesday, April 29, 8:00 PM EDT

    • 1 hr 30 min
    Trumpet
  • April 30
    8:00 PM
    UCLA Philharmonia - Hear Now Festival Concert
    Thursday, April 30, 8:00 PM EDT

    Join the UCLA Philharmonia for the 2026 installment of their bi-annual Hear Now Festival concert.

    • 2 hr