In 1924, neophyte filmmakers Merian C. Cooper and Ernest B. Schoedsack, who would later co-direct King Kong (1933), hooked up with journalist and sometime-spy Marguerite Harrison and set off to film an adventure. They found excitement, danger, and unparalleled drama in the migration of the Bakhtiari tribe of Persia (now Iran). Twice a year, more than 50,000 people and half a million animals surmounted seemingly impossible obstacles to take their herds to pasture. The filmmakers captured unforgettable images of courage and determination as the Bakhtiari braved the raging and icy waters of the half-mile-wide Karun River. Although many documentary historians consider Grass second only to Nanook of the North, few people have actually ever seen this legendary film. This restored and full-length version will astonish today's audiences with its beautiful photography and heart-stopping adventure. Presented with a recorded orchestral score by Patrick Holcomb that was world-premiered in IU Cinema's Virtual Screening Room in 2021. [71 min; documentary; silent film with intertitles] Celebrating its first decade in 2026, the IU Cinema Vickers Scoring Award is named after IU Cinema's founding director Jon Vickers; it is an IU Cinema-exclusive program produced in partnership with the Jacobs School of Music, and is generously endowed by former IU Trustee the Honorable P.A. Mack Jr.A Q&A with composer Patrick Holcomb and IU Jacobs School of Music Professor Larry Groupé, moderated by IU Cinema Director Emeritus Jon Vickers, will follow the screening.

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!About the DirectorIngrid Matthews teaches baroque violin in the Historical Performance Institute at the Indiana University Jacobs School of Music. She served previously as music director of the Seattle Baroque Orchestra and has appeared as a soloist, guest director, and concertmaster for leading early music ensembles including the New York Collegium, Australian Brandenburg Orchestra, Boston Early Music Festival Orchestra, Ars Lyrica, Tafelmusik Baroque Orchestra, Musica Angelica, The Bach Sinfonia, Indianapolis Baroque Orchestra, and many others. She is also a member of San Francisco-based chamber ensemble Musica Pacifica and has held teaching residencies at the University of Southern California, University of Toronto, Oberlin College, Cornish College of the Arts, New England Conservatory, and others. First prizewinner in the 1989 Erwin Bodky International Competition for Early Music, Matthews herself has served as a juror for competitions such as the Maurice and Lillian Barbash International Bach Competition and the Indianapolis Early Music Competition. She has received high critical acclaim for her extensive discography; her recording of the Sonatas and Partitas for Unaccompanied Violin of J. S. Bach was named "top recommendation for this music…on either period or modern instruments" by American Record Guide, and her recording of Biagio Marini is included in the Norton Anthology of Music used by conservatories and universities worldwide. Meeting URL:

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Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!About the DirectorTom Walsh is Robert J. Waller Sr. and Robert J. Waller Jr. Professor of Music (saxophone) and chair of the Jazz Studies Department at the Indiana University Jacobs School of Music. An active performer of jazz and classical music, he has presented concerts and workshops in South Africa, China, Brazil, Japan, Azerbaijan, Costa Rica, in Europe, and across the United States. He is the co-author of the fifth edition of Creative Jazz Improvisation (2022) with Scott Reeves. His beginning improvisation book Jazz Master Teaches You to Improvise was published by Shanghai Music Publishing House in 2019. Recent recordings include The Pandemic Sessions by the IU jazz faculty, Luke Gillespie's Moving Mists, Basically Baker, Vol. 2, with the Buselli-Wallarab Jazz Orchestra (Patois), and Mike Hackett's New Point of View (Summit). Premiere performances include Scott Jones's concert band arrangement of Russell Peck's The Upward Stream, Chris Rutkowski's Concerto for Alto Saxophone and Wind Ensemble, and David Baker's Concerto for Alto Saxophone and Orchestra. His latest solo CD release is Intersections (Arizona University Recordings). Earlier solo CDs include New Life (RIAX) and Shaking the Pumpkin (RIAX). Other releases include the David Baker Concerto on Paul Freeman Introduces David Baker, Vol. XII (Albany), Basically Baker with the Buselli/Wallarab Jazz Orchestra (Patois), and Sky Scrapings: Saxophone Music of Don Freund (AUR). Walsh is a Yamaha Performing Artist and a Vandoren Artist. He taught at the Jamey Aebersold Summer Jazz Workshops from 1991 to 2019. He co-leads the IU Summer Saxophone Academy with Otis Murphy and is co-director of the College Audition Preparation Workshop. Walsh earned degrees in Saxophone Performance and Jazz Studies from Indiana University, where his principal teachers were distinguished classical saxophonist Eugene Rousseau and renowned jazz educator David Baker. His other influential teachers include Mike Tracy, Pat LaBarbera, Jerry Coker, and David Liebman. Meeting URL:

CLACS welcomes Eduardo Herrera (Folklore and Ethnomusicology) for the first CLACS Faculty Research presentation of the Fall 2026 semester. Join us as he presents:Sounds of the World Cup: Fan Atmospheres, Collective Affect, and Sonic PracticesAbstract: Drawing on ethnographic fieldwork conducted during the 2026 FIFA Men's World Cup in Buenos Aires, this presentation examines how sound, collective memory, and national narratives shaped Argentine experiences of the final stages of the tournament. Focusing on the contrasting atmospheres surrounding Argentina's semifinal against England and final against Spain, I consider how the historical memory of the Malvinas/Falklands War, comparisons between Lionel Messi and Diego Maradona, and newly circulating World Cup chants intensified the affective stakes of watching and supporting the national team. Photographs, field recordings, and video illustrate how collective sounding and embodied participation transformed World Cup spectatorship into a powerful site for experiencing national belonging, historical memory, anticipation, and defeat.  

University Singers – Betsy Burleigh, conductor, with Chris Albanese, tenor; Ingrid Matthews and Danqi Zeng, baroque violin; Macarena Sanchez Ruíz, baroque cello; and Jonathan Oddie, harpsichord; Shayla Van Hal, organ; and the Pacifica Quartet with Marta Aznavoorian, piano (guest) Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!Repertoire Mielczewski: Canzona prima a 3 (c.1630)Moniuszko: Selections from "Sonety krymskie (Crimean Sonnets)" (1867)Sawa: Ecce lignum crucis (1986) Zarębski: Piano Quintet in G Minor, Op. 34 (1885)About the ArtistsChris Albanese is Pam and Jack Burks Associate Professor of Choral Conducting at the Indiana University Jacobs School of Music, where he conducts the Grammy-nominated Singing Hoosiers. Under his direction, the Singing Hoosiers were invited to perform at national conferences of the American Choral Directors Association in 2025 and 2021. He has led and prepared the ensemble for performances with notable guests, including Sylvia McNair and Sandi Patty. In recognition of his excellence in teaching, he was awarded Indiana University's Trustees Teaching Award in 2022. Before Indiana, Albanese was a member of the Grammy Award-winning ensemble Chanticleer. With Chanticleer, he performed across the United States and abroad, including at Los Angeles's Disney Hall, Vienna's Musikverein, Prague's Rudolfinum, and St. Petersburg's Mariinsky Theater. With the ensemble, he appeared with the ensemble as a featured guest on The Hallmark Network's Home and Family. Albanese concurrently serves as music director of the Akron Symphony Chorus where he has prepared the chorus to critical acclaim for performances of works including Beethoven's Symphony No. 9, Mozart's Mass in C Minor, Haydn's The Creation, Brahms's Ein deutsches Requiem, and the world premiere of Julia Perry's Frammenti dale lettere di Santa Caterina. An active concert singer and recitalist, Albanese's performance credits include appearances with the Santa Fe Desert Chorale, Skylark Ensemble, Columbus Indiana Philharmonic, Dayton Opera, Ars Musica Chicago, the Castleton Festival under the baton of Maestro Lorin Maazel, and Chamber Fest in a performance of Britten's Canticle III, Op. 55, with Konstyantin Travinsky (piano) and Oto Carrillo (horn). Albanese has presented workshops and led festival choirs across the United States and abroad, most recently for the Indiana State School Music Association, Michigan State Vocal Music Association, and Ohio Valley Choral Festival. He earned a B.M. in Music Education and Vocal Performance from the University of Dayton, an M.M. in Vocal Performance from Northwestern University, and a D.M.A. in Choral Conducting from the University of Cincinnati College-Conservatory of Music. A multi-Grammy nominated artist, pianist Marta Aznavoorian performs to critical acclaim on the world stage as an orchestral soloist, recitalist, chamber musician, and educator. She made her professional debut at age 13 with the Chicago Symphony Orchestra at the invitation of Sir George Solti. A champion of new music, she collaborates with several of today's most innovative composers and has been recognized for her outstanding outreach, performance, and mentoring in the United States and abroad. She is a founding member of the celebrated Lincoln Trio and the Aznavoorian Duo with her sister, Ani. A Steinway Artist, Aznavoorian currently serves as lecturer in piano and chamber music at DePaul University and records extensively under the Cedille Records Label. A student of the renowned teacher Menahem Pressler, Aznavoorian earned a bachelor's degree and an Artist Diploma at the Indiana University Jacobs School of Music and a master's degree from New England Conservatory, where she studied with Patricia Zander.Betsy Burleigh is Thomas R. Kasdorf Professor of Choral Conducting and professor of music at the Indiana University Jacobs School of Music, where she was chair of the Choral Conducting Department from 2013 to 2024. Burleigh served as music director of the Mendelssohn Choir of Pittsburgh from 2006 to 2015, leading performances of Brahms' Requiem, Bach's B Minor Mass, Rachmaninoff's All-Night Vigil, and Mozart's Great Mass in C Minor, and preparing the choir for performances with the Pittsburgh Symphony Orchestra (PSO). As a guest conductor, Burleigh has led the PSO, Rhode Island Philharmonic, Akron Symphony, Canton Symphony, and Handel Society of Dartmouth College. She prepared the Tanglewood Festival Chorus for performances with the Boston Symphony Orchestra and the Cincinnati May Festival Chorus for performances with the Cincinnati Pops. Burleigh served as assistant director of The Cleveland Orchestra Chorus for 11 years, during which time she prepared the chorus for all performances at the Blossom Festival and oversaw the chorus for Pierre Boulez's Deutsche Gramophone recording of Berlioz's Roméo et Juliette. Other positions have included directing the Providence Singers, Akron Symphony Chorus, Canton Symphony Chorus, and Mastersingers of Lexington. Acclaimed for her oratorio conducting, Burleigh's Chorus pro Musica performance of Haydn's Creation was praised as an "expansive, poetic reading" (The Boston Globe). Her rendition of Orff's Carmina Burana was called both "nuanced" and "hair-raising" (The Boston Musical Intelligencer). She won the 2000 Northern Ohio Live Achievement Award for best classical/opera performance for Ulmann's Der Kaiser von Atlantis and conducted The Cleveland Orchestra Chorus on an Emmy Award-winning concert for the 9/11 Red Cross Disaster Relief Fund. Burleigh previously held teaching positions at Tufts, Clark, Southeastern Massachusetts, and Cleveland State universities, Longy School of Music, and the Massachusetts Institute of Technology. She earned a Bachelor of Music Education degree with distinction from Indiana University, a Master of Music in Choral Conducting degree with distinction from the New England Conservatory of Music, and a Doctor of Music in Choral Conducting from the Jacobs School.Ingrid Matthews teaches baroque violin in the Historical Performance Institute at the Indiana University Jacobs School of Music. She served previously as music director of the Seattle Baroque Orchestra and has appeared as a soloist, guest director, and concertmaster for leading early music ensembles including the New York Collegium, Australian Brandenburg Orchestra, Boston Early Music Festival Orchestra, Ars Lyrica, Tafelmusik Baroque Orchestra, Musica Angelica, The Bach Sinfonia, Indianapolis Baroque Orchestra, and many others. She is also a member of San Francisco-based chamber ensemble Musica Pacifica and has held teaching residencies at the University of Southern California, University of Toronto, Oberlin College, Cornish College of the Arts, New England Conservatory, and others. Herself a competition winner (she received first prize in the 1989 Erwin Bodky International Competition for Early Music), Matthews has served as a juror for competitions such as the Maurice and Lillian Barbash International Bach Competition and the Indianapolis Early Music Competition. Matthews has received high critical acclaim for her extensive discography; her recording of the Sonatas and Partitas for unaccompanied violin of J. S. Bach was named "top recommendation for this music…on either period or modern instruments" by American Record Guide, and her recording of Biagio Marini is included in the Norton Anthology of Music used by conservatories and universities worldwide.Jonathan Oddie is professor of practice in historical performance (historical keyboards) at the Indiana University Jacobs School of Music. Oddie is in demand across the United States as a versatile performer on harpsichord, fortepiano, and continuo organ. As a continuo player, he works with leading musicians including violinist Dmitry Sinkovsky and flutist Janet See and with orchestras including Portland Baroque Orchestra and the Seattle Symphony. He has performed on chamber music series including Gallery Concerts Seattle and the Philadelphia Chamber Music Society, and he has been featured as a soloist with the Northwest Sinfonietta and Saratoga Orchestra. Oddie studied piano and harpsichord at Indiana University, where his teachers included Elisabeth Wright, Jean-Louis Haguenauer, and Edmund Battersby. He also earned a doctorate in musicology from the University of Oxford, where he researched the instrumental music of English composer Orlando Gibbons (1583-1625). Oddie has published research in the journals Early Music and Historical Performance. His awards include a Performer's Certificate from the Jacobs School of Music and a Frank Huntington Beebe Fellowship. Recognized for its virtuosity, exuberant performance style, and daring repertory choices, the Pacifica Quartet has achieved international recognition over the past 30 years as one of the finest chamber ensembles performing today, establishing itself as the embodiment of the ideal American quartet sound. Named faculty string quartet-in-residence at the Indiana University Jacobs School of Music in 2012, Pacifica was previously quartet-in-residence at the Metropolitan Museum of Art and most recently received its second Grammy Award for Best Chamber Music Performance for Contemporary Voices (2020), featuring the works of three Pulitzer Prize–winning women. In 2017, the Quartet was appointed to lead the Center for Advanced Quartet Studies at the Aspen Music Festival and School. Formed in 1994, the Pacifica Quartet quickly won chamber music's top competitions, including the 1998 Naumburg Chamber Music Award. In 2002, the ensemble was honored with Chamber Music America's Cleveland Quartet Award and the appointment to Lincoln Center's The Bowers Program, and in 2006 was awarded a prestigious Avery Fisher Career Grant. The Pacifica Quartet has proven itself the preeminent interpreter of string quartet cycles, having given highly acclaimed performances of the complete Carter, Mendelssohn, Beethoven and Shostakovich cycles in numerous cities across the United States, in Australia, and in Tokyo and London. An ardent advocate of contemporary music, Pacifica commissions and performs many new works, including compositions by Keeril Makan, Julia Wolfe, and Shulamit Ran. The Quartet has recorded the Carter cycle (Naxos) and the Shostakovich cycle (Cedille Records) to rave reviews. Other recording projects include Leo Ornstein's piano quintet with Marc-André Hamelin, the Brahms piano quintet with Jacobs Distinguished Professor Menahem Pressler, and the Brahms and Mozart clarinet quintets with Anthony McGill. Prior to its appointment to the Jacobs School, Pacifica was on the faculty of the University of Illinois Urbana-Champaign for 9 years and served as resident performing artists at the University of Chicago for 17 years. Visit pacificaquartet.com for more information. Meeting URL:

Students, Sign Up Here >Whether you are interested in composition, electronic music, technology, or simply trying something new, come discover what happens when music and code meet. Developed by Felix Roos and Alex McLean, Strudel is an innovative live-coding platform that allows musicians to create and manipulate music in real time using algorithmic patterns. Popular within the international algorave community, Strudel offers an accessible and exciting way to experiment with new approaches to composition and performance. Led by composer, educator, and electronic musician Scott Horton, this introductory workshop will give you a hands-on experience with Strudel and live coding—no previous coding experience is necessary.

Students, Sign Up Here > Jessie and Grace have forged distinctive, multifaceted careers in the performing arts and music industries. Jessie is a NYC-based singer, actor, multi-instrumentalist, music director, educator, and songwriter. She currently serves as Assistant Music Director and violinist for the national tour of the Tony Award-winning musical Hadestown, while maintaining an active career as a performer, teacher, and independent artist. After moving to New York, Grace joined the team at the legendary Power Station at BerkleeNYC while developing her own career as a songwriter, performer, producer, and audio professional. Together, Jessie and Grace will offer valuable perspectives on how to build networks and creative communities, balance multiple professional identities, and create sustainable careers in one of the world's most competitive cultural centers.

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The Borns Jewish Studies Program presents the culminating concert of Memory Transformed: Materials of Heritage in Jewish Eastern European Life, featuring The Sway Machinery and The Immortal Khazntes. Bringing together musicians whose work engages deeply with Jewish musical traditions, the concert explores the continuing life and transformation of Eastern European Jewish music through contemporary performance. The concert concludes a full day of Memory Transformed programming at Indiana University Bloomington, including a symposium on Jewish cultural heritage and material culture, an afternoon reception at the Eskenazi Museum of Art, and guided museum tours.Free and open to the public. Registration is encouraged but not required; no ticket is required for entry. Please visit the Memory Transformed event webpage for the latest program and location information.

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!About the DirectorNatalie Boeyink, bassist and educator, serves as associate professor of music jazz studies at the Indiana University Jacobs School of Music. After earning her doctorate in music education at the Jacobs School in 2015, Boeyink spent eight years as a jazz lecturer and senior lecturer in the University of North Carolina system. She earned an M.M. in Jazz Performance at the University of Louisville and a B.M. in Jazz Studies at Jacobs. Her interest in the educational experiences and careers of jazzwomen has launched a series of research projects, conference presentations and publications, including her dissertation, "An Analysis and Description of Female Jazz Instrumentalists." An advocate for jazzwomen, Boeyink served as chair of the Jazz Education Network's Women in Jazz Committee and worked to reestablish the Sisters in Jazz Collegiate Combo Competition. Batuquê Trio is Boeyink's seasoned collaboration with drummer Andy Smith and pianist Jamaal Baptiste. Focusing on contemporary Brazilian, Afro-Cuban, and Caribbean jazz, the trio frequently appears at jazz festivals as performers and clinicians. Their first CD, Transparency, was released in 2015. A second album is forthcoming in 2024. Some of Boeyink's notable performances include appearances with Tammy McCann, Jamie Baum, Ingrid Jensen, Terri Lyne Carrington, Christine Jensen, Leni Stern, Jovino Santos Neto, Joe Piscopo, David "Fathead" Newman, Jon Hendricks, Jeff Coffin, David Liebman, and Lorraine Feather. Meeting URL:

Whether you're in your first year of your degree or getting ready to graduate, the first annual JSOM Career Fair is a great opportunity for students of all disciplines at Jacobs to connect with regional employers, learn about career paths in performing arts, and explore internships and job opportunities. The focus of this fair will be employers interested in attracting professionals with skills and experience in performance and applied teaching in music, dance, and theatre. Watch your IU inbox for information on how to prepare for thefair, and schedule an appointment with a career advisor to make sure your resumé is fair-ready!

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Presented by the Musicology Department

Featuring the slow movements of Mozart's piano concertos K.453, K.467, K.491, K.271, and K.488About the ArtistÉmile Naoumoff is professor of music in piano at the Indiana University Jacobs School of Music, where he has been on faculty since 1998. He has been likened to both Vladimir Horowitz and Arthur Rubinstein as a pianist, displaying, as one critic remarked, the fire of the former and the poetry of the latter. He revealed himself as a musical prodigy at age five, playing the piano and adding composition to his studies a year later. At age seven, he became the last disciple of Nadia Boulanger, who referred to him as "the gift of my old age." At age 18, he was signed by music publisher Schott, Mainz. Naoumoff studied with Boulanger until her death, permitting him also to work with Clifford Curzon, Igor Markevitch, and Robert and Gaby Casadesus, among others. Yehudi Menuhin conducted the premiere of Naoumoff's first piano concerto, with him as soloist, when Noumoff was 10 years old. Naoumoff pursued studies at the Paris Conservatory with Lelia Gousseau, Pierre Sancan, and Geneviève Joy, as well as at the École Normale de Musique de Paris with Pierre Dervaux (conducting). Upon Boulanger's death, he assumed her classes at the summer sessions of the Conservatoire d'Art Americain (Fontainebleau). He was later appointed to the Conservatoire National Supérieur de Musique, Paris. Naoumoff is regularly invited to perform by the world's premier orchestras, including the Los Angeles Philharmonic, Berlin Symphony, and Vienna Symphony, among many others. He has worked closely with such conductors as Leonard Bernstein, Leonard Slatkin, and Mstislav Rostropovich. He has also collaborated with a host of noteworthy musicians, including Jean-Pierre Rampal, Gerard Souzay, and Yo-Yo Ma. Naoumoff has been invited to perform at numerous music festivals, such as the Santander Summer Masterclasses, Verbier Academy Festival, Banff Center, and residencies at the Conservatory of Barcelona. He is an avid composer of French mélodies and is known for his transcriptions for the piano. He maintains a video journal of daily improvisations on his YouTube channel.

Five Friends Master Class Series – Honoring Robert SamelsThe Five Friends Master Class Series honoring the lives of five talented Jacobs School of Music students—Chris Carducci, Garth Eppley, Georgina Joshi, Zachary Novak, and Robert Samels—was established in 2012 with a gift of $1 million from the Georgina Joshi Foundation, Inc. This annual series of lectures, master classes, and residencies by a number of the world's leading musicians and teachers focuses on areas of interest most relevant to the lives of the five friends—voice performance, choral conducting, early music, music theory, composition, and opera. The Georgina Joshi Foundation was established in 2007 as the vision of Georgina Joshi's mother, Louise Addicott-Joshi, to provide educational and career development opportunities for young musicians and to encourage and support public performance of music. The gift to the school establishes a permanent way for the world to learn about each of the five friends, their musical talents and passions, and to encourage the development of similar talents and passions in current and future music students. The establishment of this endowment by the families is administered by the IU Foundation. Bass-baritone and composer Robert Samels was born on June 2, 1981, and died in a plane crash on April 20, 2006. He was a doctoral student in choral conducting at the Indiana University Jacobs School of Music and had studied voice with Giorgio Tozzi and Costanza Cuccaro. He began his vocal studies with Alfred Anderson at the University of Akron and Andreas Poulimenos at Bowling Green State University. Samels had recently appeared as Mr. Gibbs in the world premiere of Our Town by Ned Rorem, as Marco in the collegiate premiere of William Bolcom's A View from the Bridge, and as Joseph and Herod in the collegiate premiere of El Nino by John Adams. In September 2005, he conducted the premiere of his own opera, Pilatvs. As a member of the Wolf Trap Opera Company for 2006, he would have added three roles that summer, including Bartolo in Le Nozze di Figaro, Friar Laurence in Roméo et Juliette, and Pluto in Telemann's Orpheus. Other opera credits included the title roles of Don Pasquale and Il Turco in Italia, as well as Leporello in Don Giovanni, Falstaff in TheMerry Wives of Windsor, and Bottom in A Midsummer Night's Dream. In the summer of 2004, he performed Creon in the New York premiere of John Eaton's Antigone. Samels also frequently performed in the oratorio repertoire. In the spring of 2005, he was selected as a semi-finalist in the annual competition of the Oratorio Society of New York. He was an announcer with public radio station WFIU, as well as the host and producer of its Cantabile program. A soloist with Aguavá New Music Studio, he had recently performed a concert at the Library of Congress. Samels was an associate instructor in the Jacobs School's Music Theory Department, where was loved and admired by his students.

RepertoireJ. S. Bach/Bell: Air and BourréeWilder: Suite No. 1 ("Effie") (1960)James DeMars: Tapestry III (1986)Mike D'Ambrosio: Follow the Leader (2015)D. Baker/Wiśniewski: Concerto (1998)About the ArtistsMatt Hightower is assistant professor of music in tuba and euphonium at the Indiana University Jacobs School of Music. Prior to his appointment at the Jacobs School, he held similar positions at the University of Kentucky (UK) and Texas A&M University-Kingsville. Hightower's professional performance experience covers a wide range of chamber, orchestral, and solo music, spanning three continents and nine countries. He is a prizewinner of international solo competitions and has presented master classes to tuba/euphonium students around the world. His list of solo residencies include Baylor University, Conservatory of Reykjavik (Iceland), University of Louisiana at Monroe, University of Texas, the South Central Regional Tuba/Euphonium Conference, the South East Regional Tuba/Euphonium Conferences, The United States Army Band Tuba/Euphonium Workshop, and the Xi Xiang Music Valley (China), among others. He is tubist with the UK Faculty Brass Quintet and was previously tubist with the Corpus Christi and the Kingsville brass quintets. He is a founding member of the Atlas Tuba Quartet. Some of his credits as a large ensemble performer include appearances with the Bloomington Camerata Orchestra, Columbus (Indiana) Symphony, Evansville Philharmonic, Iceland Symphony Orchestra, Jackson Symphony, and David Baker's 21st-Century Bebop Band. Hightower is also an award-winning composer. In 2010, he was named the winner of the KMEA Intercollegiate Composition Contest. Commissioned works by Hightower have received premier performances at the 2012, 2014, and 2016 International Tuba Conferences, the 2017 and 2018 South Central Regional Tuba Euphonium Conference, the 2018 South East Regional Tuba Euphonium Conference, the John F. Kennedy Center, and the 2016 Texas Music Educators Conference. Hightower earned a B.M. in Music Education from Murray State University, an M.M. in Tuba Performance from Jacobs, and a D.M.A. from the University of Texas at Austin. His primary instructors were Ray Conklin, Daniel Perantoni, and Charles Villarrubia, with additional instruction in the field of composition from Mike D'Ambrosio, John Fannin, and P.Q. Phan. Hightower is a B&S performing artist. South Korean pianist Eunjin Bang is visiting academic specialist in chamber and collaborative music at the Indiana University Jacobs School of Music. Since moving to the United States in 2007, Bang has established herself as an award-winning performer, enthusiastic collaborator, and chamber musician. She has performed globally, including in the United States, South Korea, Germany, Spain, and Canada. Her engagements include broadcasts on WCLV radio (Cleveland) and WKAR radio (Lansing), a performing Schnittke's Piano Quartet with Sibbi Bernhardsson (former member of the Pacifica Quartet), and appearing as a soloist with the IU Philharmonic Orchestra under the baton of David Effron. As a member of the Zima Piano Trio, she won first prize in the ensemble category of the New York International Music Concours and was invited to perform at Mineral Point Chamber Music Festival in Madison, Wisconsin, and at the Absolute Chamber Music Series in Lansing, Michigan. From 2023 to 2024, Bang served as a staff pianist at Stephen F. Austin State University, including a performance at the SWACDA conference in Denver, Colorado. She served as a repetiteur for Cincinnati Opera's world-premiere staging of Paul McCartney's Liverpool Oratorio as well as for Austin, Texas, chamber orchestra Density512's premiere of Thomas Yee's Eva and the Angel of Death. Bang earned a Bachelor of Music in Piano Performance from Oberlin College and Conservatory under the guidance of Haewon Song and Master of Music, Performer Diploma, Artist Diploma, and Doctor of Music in Piano Performance from the Indiana University Jacobs School of Music under the guidance of Émile Naoumoff and Arnaldo Cohen, with double minors in music theory and collaborative piano.

Repertoire Andrea Clearfield: Hvati (2016)Øystein Baadsvik: Concerto (2009)T. Stevens: Variations in Olden Style (1989)Anna Baadsvik: New Kid (2014)Øystein Baadsvik: Ordner Seg (It'll be alright) (2010)Øystein Baadsvik: Tango (2012)About the ArtistsØystein Baadsvik is voted one of the top 10 brass players in history by listeners on Classic FM. He presented the first TED talk on the topic of tuba and is one of the most popular classical musicians on YouTube with more than eight million views. His multifaceted musical career as a soloist and recording artist has taken him all over the world. He regularly gives master classes and clinics at major universities worldwide. Since 2022, he has served as professor of tuba at the Norwegian Academy of Music. His engagements include performances with such orchestras as the Oslo Philharmonic Orchestra, Warsaw Philharmonic Orchestra, the Taipei National Symphony Orchestra and Singapore Philharmonic. Baadsvik has performed in some of the most famous venues in the world, and 2006 marked his New York recital debut at Carnegie Hall. Baadsvik is an active recording artist whose CDs receive unstinting praise. In their review of Tuba Works, American Record Guide remarked, "This spectacular recording establishes Baadsvik as one of the best solo tubists in the world." Film composer John Williams said about Baadsvik's recording of his tuba concerto: "His rendering of my concerto far surpasses anything a composer might hope for." Visit baadsvik.com for audio clips and further information.Tomoko Kashiwagi is visiting lecturer in the Chamber and Collaborative Music Department at the Indiana University Jacobs School of Music for the 2026-27 school year. Kashiwagi is associate professor of piano and collaborative piano and holds the Emily J. McAllister Endowed Chair at the University of Arkansas, where she joined the faculty in 2012. She is also the founder of the Ozark Music Initiative, a nonprofit dedicated to building community through music. Her work has been supported by multiple Mid-America Arts Alliance grants. In 2025, she was inducted into the Steinway & Sons Music Teacher Hall of Fame in recognition of her commitment and passion as piano educator. She has presented multiple times at CollabFest, the conference of the International Keyboard Collaborative Arts Society. She maintains an active performance career across the United States and internationally, exploring a wide range of repertoire. She earned a Bachelor of Music, Master of Music, and Performer Diploma in Piano Performance from the Indiana University Jacobs School of Music studying with renowned pianist Shigeo Neriki. Kashiwagi later became the first recipient of the Doctor of Musical Arts in Collaborative Piano degree from the University of Texas at Austin, where she studied with Anne Epperson.

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!Repertoire Milhaud: La création du monde, Op. 81a (1923)Martin: Ballade for viola and wind orchestra (1972)Chadwick: Symphony No. 3 in F Major (1894)About the ArtistsThomas Wilkins is principal conductor of the Hollywood Bowl Orchestra, artistic partner for education and external engagement and Germeshausen Family and Youth Concerts Conductor Chair with the Boston Symphony Orchestra, and professor of music (conducting) at the Indiana University Jacobs School of Music, where he holds the Henry A. Upper Chair of Orchestral Conducting, established by the late Barbara and David Jacobs as a part of Indiana University's Matching the Promise Campaign. He is also music director laureate of the Omaha Symphony, where he was music director from 2005 through 2021, and principal guest conductor of the Virginia Symphony Orchestra. Past positions have included resident conductor of the Detroit Symphony and the Florida Orchestra (Tampa Bay) and associate conductor of the Richmond (Virginia) Symphony. He also has served on the music faculties of North Park University (Chicago), University of Tennessee in Chattanooga, and Virginia Commonwealth University in Richmond. Devoted to promoting a life-long enthusiasm for music, Wilkins brings energy and commitment to audiences of all ages. He is hailed as a master at communicating and connecting with audiences. He has guest conducted orchestras throughout the United States. Wilkins' commitment to community has been demonstrated by his participation on several boards of directors, including the Greater Omaha Chamber of Commerce, the Charles Drew Health Center (Omaha), the Center Against Spouse Abuse in Tampa Bay, and the Museum of Fine Arts as well as the Academy Preparatory Center both in St. Petersburg, Florida. Currently, he serves as chairman of the board for the Raymond James Charitable Endowment Fund and as National Ambassador for the non-profit World Pediatric Project, headquartered in Richmond, Virginia, which provides children throughout Central America and the Caribbean with critical surgical and diagnostic care. A native of Norfolk, Virginia, Wilkins is a graduate of the Shenandoah Conservatory of Music and the New England Conservatory of Music (Boston). He and his wife, Sheri-Lee, are the proud parents of twin daughters, Erica and Nicole.Stephen Wyrczynski is currently professor of music in viola at the Indiana University Jacobs School of Music. He was a member of the Philadelphia Orchestra for 18 years, joining them in 1992. Wyrczynski regularly performs as a soloist and chamber musician. He prioritizes faculty-student collaborations. One such partnership, which he cofounded with the late violinist Jorja Fleezanis, was an exploration of music from the Second Viennese School, in which faculty and students together performed music by Schoenberg, Webern, and Berg. Wyrczynski considers his teaching a direct result of his own relationship to performing, practicing, and listening. Teaching a student about the great privilege it is to serve the composers of our repertoire is one of the best ways for the students to gain ownership of their musical training. Most recently, he has completed a transcription of Igor Stravinsky's Rite of Spring with pianist Aram Arakelyan. Wyrczynski and Arakelyan gave the world premiere in the fall of 2024 and recorded it for Azica Records in the summer of 2025 with producer Alan Bise. A printed edition is published by Songburd Music. Wyrczynski will join the faculty of the Shepherd School of Music at Rice University in 2027. Meeting URL:

University Student Organization

RepertoireChopin: Twelve Etudes, Op. 10 (1830-32)Chopin: Trois nouvelles études, B.130 (1839)Chopin: Twelve Etudes, Op. 25 (1835-37)About the Artist Ukrainian pianist Dinara Klinton is associate professor of music in piano at the Indiana University Jacobs School of Music. After winning prizes in such international competitions as Busoni, Cleveland, BNDS, and Paderewski, she embarked on a busy international concert schedule, appearing at festivals including the Progetto Martha Argerich in Lugano, Cheltenham Music Festival, Aldeburgh Proms, and La Roque d'Antheron. Klinton has performed at many of the world's major concert venues, including the Royal Albert Hall, Royal Festival Hall, Barbican Centre, and Wigmore Hall in London, Berliner Philharmonie, Laeiszhalle and Elbphilharmonie Hamburg, Gewandhaus Leipzig, New York 92Y, Cleveland Severance Hall, Tokyo Sumida Triphony Hall, Great Hall of Moscow Conservatory, and Tchaikovsky Concert Hall. Her concerto engagements include orchestras such as the Philharmonia, Royal Philharmonic, Lucerne Symphony, Richmond Symphony, and Elgin Symphony. Klinton is also a dedicated educator and has combined her performance career with faculty positions at the Royal College of Music and the Yehudi Menuhin School. As a recording artist, she has received widespread critical acclaim. Her album Franz Liszt's Études d'exécution transcendante, released by the German label GENUIN Classics, received glowing reviews and was selected by BBC Music Magazine as Recording of the Month. She recorded her debut album, Music of Chopin and Liszt, at age 16 with American label Delos. Other albums include Chopin's music by the Fryderyk Chopin Institute in Poland, Prokofiev Complete Piano Sonatas, released by Piano Classics, and Mily Balakirev: Piano Concerto No. 1 on Dabringhaus und Grimm. Klinton's music education began at age five in her native Kharkiv, Ukraine. She graduated with highest honors from the Moscow Central Music School under Valery Piassetski and the Moscow State Conservatory P. I. Tchaikovsky under Eliso Virsaladze. She then earned a master's degree and artist diploma from the Royal College of Music in London under Dina Parakhina. She also studied with William Grant Nabore, Stanislav Ioudenitch, and Dang Thai Son, among others, at the Lake Como Piano Academy and worked with Boris Petrushansky at the Imola Piano Academy.

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs! Meeting URL:

Repertoire Kevin McKee: Alpenpass and Riverrun (2023)Cait Nishimura: she danced in the rain (2018/25)Lauren Bernofsky: Two Latin Dances (2015/21)Anthony Plog: Sonata (2003/10)Horovitz: Music Hall Suite (1964)About the ArtistsJason Bergman is professor of music in trumpet at the Indiana University Jacobs School of Music. A highly accomplished performer, he has appeared across the United States, South America, Europe, and China, earning recognition for his artistry and versatility. An esteemed American trumpeter and educator, Bergman began his orchestral career in 2008 as associate principal trumpet of the Santiago Philharmonic in Chile and has since held principal trumpet positions with the Mobile Symphony Orchestra and Mobile Opera. He has also performed with the Utah, Milwaukee, and Fort Worth symphonies, Indianapolis Symphony Orchestra, Indianapolis Chamber Orchestra, Dallas Symphony, Dallas Opera, and Dallas Winds. His collaborations include performances with the Canadian Brass and Rhythm & Brass as well as an appearance at Carnegie Hall. He was also a fellow at the Music Academy of the West. A sought-after soloist and clinician, Bergman has presented recitals and master classes at institutions worldwide and has performed and lectured at leading conferences. As a soloist, he has appeared with the Royal Belgian Air Force Band, Mahidol Brass Band, and the Beijing Central Conservatory of Music Wind Ensemble, among others. A committed educator, he has taught at a host of U.S. and international music festivals. Prior to his appointment at the Jacobs School, he held faculty positions at the University of North Texas and the University of Southern Mississippi, where he received both the Class of '49 Young Scholar Award and the Nina Bell Suggs Endowed Professorship. An active leader in the trumpet community, Bergman served as president of the International Trumpet Guild (2021-23). He is a frequent adjudicator for the National Trumpet Competition, hosting its 2018 edition. Bergman's scholarly contributions include authorship for the Grove Dictionary of American Music and editorial work for the International Trumpet Guild Journal. As a recording artist, he has released three critically acclaimed solo albums and a chamber music album with Brassworks on the MSR label. He is a Yamaha Performing Artist and performs exclusively on Yamaha trumpets.Kimberly Carballo is senior lecturer in music in chamber and collaborative music and director of the Jacobs Virtual Academy at the Indiana University Jacobs School of Music. She joined the Chamber and Collaborative Music Department in 2016, its inaugural year. Carballo is an active international performer and educator, teaching both at the Jacobs School and in her private studio. She is a strong believer in and practitioner of community engagement locally and globally. She founded Reimagining Opera for Kids, a music community engagement and education program based in Bloomington, Indiana, and participates annually as a faculty advisor for the IU portion of the team in the Cheerful Heart Music Education Mission in the Dominican Republic and Haiti. She is a founding member of the Amity Trio, a chamber ensemble that commissions and performs new music in order to amplify underrepresented voices. Carballo is also part of the inaugural and ongoing team for Tunaweza Kimuziki (Through Music All is Possible), a project promoting exchange among music educators, scholars, and performers in Kenya and the United States. Carballo earned a Bachelor of Arts degree from Indiana University (Individualized Major Program) in Music Theory, and a Master of Music in Music Theory from the Jacobs School of Music. She studied piano with Michel Block and Christopher Harding and chamber music with Leonard Hokanson.Katy Ambrose is assistant professor of music in horn at the Indiana University Jacobs School of Music. She previously was faculty at the University of Iowa and taught at the University of Virginia. During summers, she teaches at the Bay View Music Festival Brass Seminar in Petoskey, Michigan, and served on the faculty for the Interlochen Horn Intensive in June 2026. An avid chamber musician, Ambrose is a member of Mirari Brass Quintet, Lanta Horn Duo, and Conica natural horn quartet, and was a founding member of Seraph Brass. She has been featured at the International Women's Brass Conference, Virginia Arts Festival, Historic Brass Society, and the International Trombone Festival, and is a regular performer and presenter for the International Horn Society (IHS). She was recently elected to the advisory board of the IHS and serves on the editorial committee for its journal, The Horn Call. Ambrose has held orchestral positions with the Delaware Symphony Orchestra, Charlottesville Symphony Orchestra, Hawaiʻi Symphony Orchestra, Northeast Pennsylvania Philharmonic, Albany Symphony Orchestra, and Lexington Philharmonic. She has also performed as a substitute with numerous orchestras, including the Philadelphia Orchestra, Boston Pops, Kansas City Symphony Orchestra, Daejeon Philharmonic (South Korea), Richmond Symphony, and the Virginia Symphony. She has performed on natural horn with Philharmonie Austin, Madison Bach Musicians, Seattle Baroque Orchestra, Washington Bach Consort, and Staunton Music Festival. Outside of orchestral music, her favorite memories are performing with Adele on her 2016 world tour and recording jingles for the Super Bowl. Ambrose was named a University of Iowa "Champion for Student Success" three times, a student-nominated honor, and was a 2025-26 research fellow at the George Washington Presidential Library, where she studied the musical life of Washington's enslaved huntsman, William Lee. She resides in Bloomington with her husband, Carsten, a software engineer and amateur violinist, their nine-year-old twin sons, and their cat, Milo.Jeffrey Curnow is professor of music in trumpet at the Indiana University Jacobs School of Music. He began his career as an undergraduate at Temple University, where he quickly won a coveted position as concerto competition soloist at the Philadelphia Academy of Music. In 1983, Curnow was appointed principal trumpet of the New Haven Symphony and soon after, became a member of the New York Trumpet Ensemble, recording on the MMG/Vox and Newport Classics labels. Four years later, he joined the internationally renowned Empire Brass Quintet. Over the course of his tenure with this ensemble, he recorded 15 compact discs for the Angel EMI and Telarc labels, appeared on The Today Show, Good Morning America, St. Paul Sunday Morning, Taipei Television, Japan Television, and BBC Television and Radio, and performed with such ensembles as the Philadelphia Orchestra, Chicago Symphony Orchestra, Saint Louis Symphony Orchestra, National Symphony Orchestra, Minnesota Orchestra, and major orchestras in Japan and Switzerland. In 1995, Curnow was appointed principal trumpet of the Dallas Symphony Orchestra, recording 14 CDs on the Delos label and appearing as soloist on several occasions, notably for Lowell Liebermann's Concerto for Trumpet and Orchestra, and Bach's Brandenburg Concerto No. 2. In 2001, he joined the Philadelphia Orchestra as associate principal trumpet, touring worldwide with the ensemble and recording on the Ondine and Deutsche Grammophon labels. Well established as an educator, Curnow has taught at the University of Connecticut, Boston University, Boston University's Tanglewood Institute, the Royal Academy of Music in London, Temple University, and the Curtis Institute of Music. He earned a Bachelor of Music from Temple University.Matt Hightower is assistant professor of music in tuba and euphonium at the Indiana University Jacobs School of Music. Prior to his appointment at the Jacobs School, he held similar positions at the University of Kentucky (UK) and Texas A&M University-Kingsville. Hightower's professional performance experience covers a wide range of chamber, orchestral, and solo music, spanning three continents and nine countries. He is a prizewinner of international solo competitions and has presented master classes to tuba/euphonium students around the world. His list of solo residencies include Baylor University, Conservatory of Reykjavik (Iceland), University of Louisiana at Monroe, University of Texas, the South Central Regional Tuba/Euphonium Conference, the South East Regional Tuba/Euphonium Conferences, The United States Army Band Tuba/Euphonium Workshop, and the Xi Xiang Music Valley (China), among others. He is tubist with the UK Faculty Brass Quintet and was previously tubist with the Corpus Christi and the Kingsville brass quintets. He is a founding member of the Atlas Tuba Quartet. Some of his credits as a large ensemble performer include appearances with the Bloomington Camerata Orchestra, Columbus (Indiana) Symphony, Evansville Philharmonic, Iceland Symphony Orchestra, Jackson Symphony, and David Baker's 21st-Century Bebop Band. Hightower is also an award-winning composer. In 2010, he was named the winner of the KMEA Intercollegiate Composition Contest. Commissioned works by Hightower have received premier performances at the 2012, 2014, and 2016 International Tuba Conferences, the 2017 and 2018 South Central Regional Tuba Euphonium Conference, the 2018 South East Regional Tuba Euphonium Conference, the John F. Kennedy Center, and the 2016 Texas Music Educators Conference. Hightower earned a B.M. in Music Education from Murray State University, an M.M. in Tuba Performance from Jacobs, and a D.M.A. from the University of Texas at Austin. His primary instructors were Ray Conklin, Daniel Perantoni, and Charles Villarrubia, with additional instruction in the field of composition from Mike D'Ambrosio, John Fannin, and P.Q. Phan. Hightower is a B&S performing artist.David Murray is professor of music in trombone at the Indiana University Jacobs School of Music. He previously was a member of the National Symphony Orchestra trombone section in Washington, D.C., hired by Christoph Eschenbach in 2014. He has also performed with The Philadelphia Orchestra, the Baltimore, Cincinnati, Jacksonville, San Antonio, San Diego, and Saint Louis symphonies, the Louisiana Philharmonic, and the Washington National Opera Orchestra, among others. Internationally, Murray has performed as guest principal trombone with the WDR Symphony Orchestra in Cologne, Germany, and the Malaysian Philharmonic Orchestra in Kuala Lumpur, Malaysia. He has also been a member of the Festival Orchestra at the Cabrillo Festival of Contemporary Music as well as the Schleswig-Holstein, Spoleto USA, and Chautauqua festivals. Murray served on the faculty of the Peabody Institute of the Johns Hopkins University from 2017 to 2026. He has also given master classes, taught, and coached at the Eastman School of Music, Northwestern University, New England Conservatory of Music, Yong Siew Toh Conservatory of Music, University of Miami, Stetson University, Michigan State University, George Mason University, Merit School of Music Chicago, Atlanta Symphony Talent Development Program, NSO Summer Music Institute, and the Curtis Institute Summerfest, among others. Murray began his musical studies on the piano at age five, adding trombone at age nine. He later continued training at the Peabody Preparatory on both instruments. He earned a Bachelor of Music (High Distinction and Performer Certificate) from the Eastman School of Music and a Diploma from the Curtis Institute of Music.

Repertoire Schubert: Fantasy in C Major ("Sei mir gegrüßt!"), D.934 (1827) Schubert: Piano Quintet in A Major, D.667 (1819) ("Trout")About the Artists Violist Mark Holloway is a chamber musician sought after in the United States and abroad. He is professor of practice (string chamber music, viola) at the Indiana University Jacobs School of Music and a member of the Pacifica Quartet. As an artist of the Chamber Music Society of Lincoln Center, he has appeared at such prestigious festivals and series as Marlboro, Music@Menlo, Ravinia, Caramoor, Banff, Taos, Music from Angel Fire, Mainly Mozart, Alpenglow, Plush, Whittington, Olympic, Concordia Chamber Players, Kon-Tiki, Bay Chamber Concerts, and with the Boston Chamber Music Society. Performances have taken him to far-flung places, including Chile and Greenland, and he plays regularly at chamber music festivals in France, Musikdorf Ernen in Switzerland, and at the International Musicians Seminar in Prussia Cove, England. He has frequently appeared as a guest with the New York Philharmonic, Orpheus, and the Metropolitan Opera orchestras. Holloway has been principal violist at Tanglewood and of the New York String Orchestra, and he has played as a guest with the Boston Symphony and guest principal of the American Symphony, Riverside Symphony, Chamber Orchestra of Philadelphia, Camerata Bern, American Ballet Theatre Orchestra, and St. Paul Chamber Orchestra. He has performed at Bargemusic, the 92nd Street Y, Casals Festival in Puerto Rico, Tertulia, Cartagena International Music Festival, with the Israeli Chamber Project, Chameleon Arts Ensemble, NOVUS NY, Emerald City Music, and on radio and television throughout the Americas and Europe, most recently a Live From Lincoln Center broadcast. Hailed as an "outstanding violist" by American Record Guide, and praised by Zürich's Neue Zürcher Zeitung for his "warmth and intimacy," he has recorded for the Marlboro Recording Society, CMS Live, Music@Menlo LIVE, Naxos, and Albany labels. Holloway earned a B.M. summa cum laude from Boston University, where he studied with Michelle LaCourse, and a Diploma from the Curtis Institute of Music, as a student of Michael Tree. A native of South Korea, Sung-Mi Im has been an active soloist, chamber musician, and educator. After a successful debut with Daegu Symphony Orchestra in Korea at age eight, she pursued undergraduate studies at Seoul National University and her master's degree in piano performance, receiving the Dean's Scholarship at Boston University. Im has given solo and chamber music recitals in London, Montreal, Dallas, Seoul, and New York, and has appeared with orchestras in Korea, including the Sofia Philharmonic, Daejeon Philharmonic Orchestra, Daegu Symphony Orchestra, Ulsan Philharmonic Orchestra, and Busan Symphony Orchestra for the 10th Korean Orchestra Festival at Seoul Arts Center. Her performances with the Bloomington (Indiana) Symphony Orchestra and the Jupiter Symphony in New York City were met with much acclaim as well. Im has appeared in many international festivals, including Kusatsu Music Festival and Moon Beach Festival in Japan, Seattle Chamber Music Festival, Sitka Music Festival in Alaska, Bargemusic in New York, Chamber Music International in Dallas, Tucson Chamber Music Festival, Kuhmo Chamber Music Festival in Finland, and the Great Mountains Music Festival in Korea, among others. A devoted educator, Im has been a faculty member at the Indiana University Jacobs School of Music since 2011. She is a recipient of the IU Trustee's Teaching Award. At the Jacobs School, Im has created opportunities for students to perform at IU's regional campuses, local hospitals, and retirement communities. As artistic director of the Bloomington Chapter of Music for Food, she has organized concerts linking a larger national network and local community groups to confront local food insecurity.Kurt Muroki is professor of double bass at the Indiana University Jacobs School of Music. An artist member with the Chamber Music Society of Lincoln Center, he began his musical studies on the violin at the age of six and subsequently performed concerti with the Honolulu Symphony and the Maui Symphony. He went on to study the double bass at 13 and entered The Juilliard School of Music at 17, studying with Homer R. Mensch. At 21, Muroki began performing with the Sejong Soloists under ICM Management. He has performed with the Jupiter Chamber Players, Speculum Musicae, Ensemble Sospeso, Sequitur, the Metropolitan Opera Orchestra, Brooklyn Philharmonic, American Composers Orchestra, Tokyo Opera Nomori, New York City Ballet, 92nd St. Y, Bargemusic, and in the Great Performers series at Lincoln Center. Festival appearances include Aspen, Marlboro, and Festival L'Autonne at IRCAM, among others. Muroki is active playing on soundtracks for movies and commercials, with titles including the The Departed, Extremely Loud and Incredibly Close, Hitch, Julie and Julia, The Manchurian Candidate, and Moonrise Kingdom. He has collaborated on albums and live concerts with such artists as The Who, Sting, Peter Gabriel, and Itzhak Perlman. Muroki has won numerous competitions, including first prize in the Aspen Music Festival double bass competition and the Honolulu Symphony Young Artists competition, and he was the first bassist to win the New World Symphony concerto competition. He has collaborated with members of the Guarneri, Juilliard, Tokyo, and Orion quartets, Ensemble Wein-Berlin, Jaime Laredo, Lynn Harrell, Toru Takemitsu, Peter Schickele, and John Zorn, among others. Muroki is also on the faculties of Stony Brook University, the McDuffie Center for Strings at Mercer University, the Bowdoin International Music Festival, and the New York String Orchestra Seminar. He is on the board of directors of the International Society of Bassists and is a D'Addario Strings artist. He plays on a double bass once owned by the famous double bassist Domenico Dragonetti and attributed to Nicolo Amati (c.1665).Peter Stumpf is professor of music (cello) at the Indiana University Jacobs School of Music. Prior to this appointment, he was principal cellist of the Los Angeles Philharmonic. Stumpf's tenure in Los Angeles followed 12 years as associate principal cellist of the Philadelphia Orchestra. His professional orchestral career began at age 16 when he joined the cello section of the Hartford Symphony Orchestra. He earned a bachelor's degree from the Curtis Institute of Music (CIM) and an Artist Diploma from the New England Conservatory. A dedicated chamber music musician, he is a member of the Johannes String Quartet and has appeared on chamber music series on several continents. He has performed with the chamber music societies of Boston and Philadelphia and at the Casals Festival in Puerto Rico, as well as such festivals as Marlboro, Spoleto, and Aspen. He has toured with Music from Marlboro, the Casals Hall Ensemble, and pianist Mitsuko Uchida. He has collaborated with pianists Leif Ove Andsnes, Emmanuel Ax, Jorge Bolet, Yefim Bronfman, Radu Lupu, Wolfgang Sawallisch, Andras Schiff, and Jean-Yves Thibaudet, and with the Emerson and Guarneri String Quartets. Concerto appearances have been with the Boston Symphony, Philadelphia Orchestra, Los Angeles Philharmonic, and Boston Philharmonic, among many others. As a recitalist, he has performed at the Universities of Hartford, Syracuse, and Delaware, at Jordan Hall in Boston, and at the Philips and Corcoran Galleries in Washington, D.C. Most recently, he performed J. S. Bach's Six Suites for Solo Cello on series in Philadelphia and Los Angeles. His awards include first prize in the Washington International, Graham-Stahl, and Aspen Concerto Competitions, and second prize in the Evian International String Quartet Competition. As a teacher, he has served on the faculties of the University of Southern California, Hartt School of Music, and New England Conservatory, and he was guest artist faculty at CIM, Yellow Barn Music Festival, and Musicorda Summer String Program.Itamar Zorman is associate professor of music in violin at the Indiana University Jacobs School of Music. Since his emergence with the top prize at the 2011 International Tchaikovsky Competition, Zorman has wowed audiences all over the world with his "youthful intensity" and "achingly beautiful" sound (Bachtrack), earning him the title of the "virtuoso of emotions" (Göttinger Tageblatt). Awarded the Borletti-Buitoni Trust Award for 2014, he is the winner of the 2013 Avery Fisher Career Grant. Zorman has performed as a soloist with such orchestras as the Mariinsky Orchestra, Israel Philharmonic, New World Symphony, Saint Paul Chamber Orchestra, Atlanta Symphony, KBS Symphony Seoul, Frankfurt Radio Symphony, German Radio Philharmonic, Orchestre National du Capitole de Toulouse, Kremerata Baltica, RTE National Symphony Orchestra (Dublin), and American Symphony. In 2024, he performed with the RAI National Symphony Orchestra in its traditional televised Christmas concert, following the Pope's blessing. He has worked with conductors such as Zubin Mehta, Michael Tilson-Thomas, David Robertson, Valery Gergiev, James DePreist, Karina Canellakis, Yuri Bashmet, and Nathalie Stuztmann. He has performed around the world in venues such as Avery Fisher Hall, Carnegie Hall's Stern Auditorium, Tokyo's Suntory Hall, Amsterdam's Concertgebouw, Zurich's Tonhalle, and Tchaikovsky Concert Hall in Moscow. As a recitalist, Zorman performed at Carnegie Hall's Distinctive Debut series, Wigmore Hall, People's Symphony Concerts, the Louvre Museum, Suntory Hall, and HR-Sendesaal Frankfurt. He was invited to the Verbier, Rheingau, Mecklenburg-Vorpommern, MITO SettembreMusica, and Radio France festivals. He has also collaborated with such legendary artists as Mitsuko Uchida, Richard Goode, Steven Isserlis, and Jörg Widmann. As a teacher, Zorman has held visiting positions at the Eastman School of Music, IU, and McDuffy Center for Strings. He is a regular faculty member at the Bowdoin International Music Festival, Heifetz Institute, and Keshet Eilon. He has taught master classes at the Royal Academy of Music, San Francisco Conservatory, and Duke University. Zorman plays on a 1734 Guarneri del Gesù, from the collection of Yehuda Zisapel.

John Raymond Groups 1 and 2

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!About the ArtistsKaty Ambrose is assistant professor of music in horn at the Indiana University Jacobs School of Music. She previously was faculty at the University of Iowa and taught at the University of Virginia. During summers, she teaches at the Bay View Music Festival Brass Seminar in Petoskey, Michigan, and served on the faculty for the Interlochen Horn Intensive in June 2026. An avid chamber musician, Ambrose is a member of Mirari Brass Quintet, Lanta Horn Duo, and Conica natural horn quartet, and was a founding member of Seraph Brass. She has been featured at the International Women's Brass Conference, Virginia Arts Festival, Historic Brass Society, and the International Trombone Festival, and is a regular performer and presenter for the International Horn Society (IHS). She was recently elected to the advisory board of the IHS and serves on the editorial committee for its journal, The Horn Call. Ambrose has held orchestral positions with the Delaware Symphony Orchestra, Charlottesville Symphony Orchestra, Hawaiʻi Symphony Orchestra, Northeast Pennsylvania Philharmonic, Albany Symphony Orchestra, and Lexington Philharmonic. She has also performed as a substitute with numerous orchestras, including the Philadelphia Orchestra, Boston Pops, Kansas City Symphony Orchestra, Daejeon Philharmonic (South Korea), Richmond Symphony, and the Virginia Symphony. She has performed on natural horn with Philharmonie Austin, Madison Bach Musicians, Seattle Baroque Orchestra, Washington Bach Consort, and Staunton Music Festival. Outside of orchestral music, her favorite memories are performing with Adele on her 2016 world tour and recording jingles for the Super Bowl. Ambrose was named a University of Iowa "Champion for Student Success" three times, a student-nominated honor, and was a 2025-26 research fellow at the George Washington Presidential Library, where she studied the musical life of Washington's enslaved huntsman, William Lee. She resides in Bloomington with her husband, Carsten, a software engineer and amateur violinist, their nine-year-old twin sons, and their cat, Milo.David Murray is professor of music in trombone at the Indiana University Jacobs School of Music. He previously was a member of the National Symphony Orchestra trombone section in Washington, D.C., hired by Christoph Eschenbach in 2014. He has also performed with The Philadelphia Orchestra, the Baltimore, Cincinnati, Jacksonville, San Antonio, San Diego, and Saint Louis symphonies, the Louisiana Philharmonic, and the Washington National Opera Orchestra, among others. Internationally, Murray has performed as guest principal trombone with the WDR Symphony Orchestra in Cologne, Germany, and the Malaysian Philharmonic Orchestra in Kuala Lumpur, Malaysia. He has also been a member of the Festival Orchestra at the Cabrillo Festival of Contemporary Music as well as the Schleswig-Holstein, Spoleto USA, and Chautauqua festivals. Murray served on the faculty of the Peabody Institute of the Johns Hopkins University from 2017 to 2026. He has also given master classes, taught, and coached at the Eastman School of Music, Northwestern University, New England Conservatory of Music, Yong Siew Toh Conservatory of Music, University of Miami, Stetson University, Michigan State University, George Mason University, Merit School of Music Chicago, Atlanta Symphony Talent Development Program, NSO Summer Music Institute, and the Curtis Institute Summerfest, among others. Murray began his musical studies on the piano at age five, adding trombone at age nine. He later continued training at the Peabody Preparatory on both instruments. He earned a Bachelor of Music (High Distinction and Performer Certificate) from the Eastman School of Music and a Diploma from the Curtis Institute of Music. Meeting URL:

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!Saxophone soloist to be announcedRepertoire Copland: An Outdoor Overture (1938/42)Zhou Tian: Alto SaxophoneConcerto (2026)Viet Cuong: 'Part One' from "Deep Down (Symphony No. 1)" (2026)Husa: Les couleurs fauves (1996)About the ConductorDonald J. McKinney is professor of music in bands, director of bands, and chair of the Bands Department at the Indiana University Jacobs School of Music. He was previously director of bands, professor of conducting, and chair of the conducting area at the University of Colorado Boulder College of Music. Prior to his 2013 appointment at CU Boulder, he was the director of wind ensembles and associate professor at Louisiana State University. McKinney has held additional faculty positions at Interlochen Arts Academy and Duquesne University Mary Pappert School of Music. From 2010 to 2015, he was the coordinator of bands for the renowned Interlochen Arts Camp, where he conducted the World Youth Wind Symphony and administered the summer band program. As a guest conductor, he has appeared with the Dallas Winds, Concordia Santa Fe, Boulder Philharmonic Orchestra, Greater Boulder Youth Orchestra, and numerous honor ensembles. His performances with the Dallas Winds have been featured on National Public Radio's Performance Today on numerous occasions. As a teacher of conducting, he has presented conducting master classes at a host of colleges and universities. His recording credits include projects with the Dallas Winds, University of Michigan Symphony Band, University of Texas Wind Ensemble, University of North Texas Wind Symphony, Keystone Wind Ensemble, and the Duquesne University Wind Symphony. He was nominated for a 2019 Grammy Award for producing the Dallas Winds recording John Williams at the Movies. He has published articles in numerous conducting resources, including five volumes of Teaching Music through Performance in Band and The Conductor's Companion. He has also authored a chapter about Pulitzer Prize-winning composer Jennifer Higdon for the book Women of Influence in Contemporary Music. McKinney earned a Doctor of Musical Arts in Conducting degree from the University of Michigan. His primary conducting teachers include Michael Haithcock, Jack Stamp, and Robert Cameron as well as additional study with H. Robert Reynolds and Frank Battisti. Meeting URL:

University Student Organization

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!Repertoire to be announcedAbout the Artists Pianist Kyunghoon Kim is lecturer in music in chamber and collaborative music at the Indiana University Jacobs School of Music. A native of South Korea, Kim made his debut at the age of 12 with the Solideo Philharmonic Orchestra. He has been a featured soloist with numerous orchestras in South Korea, Vietnam, and the United States, including two appearances with the IU Symphony Orchestra as a concerto competition winner. His performance of Franz Liszt's Piano Concerto No. 2 with conductor Arthur Fagen was praised as being "not only bombastic, but intensely musical, rich in nuances, introspective, lyrical" (Herald-Times). Kim's solo performing career includes prizes and awards from the Chautauqua Solo Piano Competition, Indianapolis Matinee Musicale Competition, Ben L. Gomez Piano Competition, National Society of Arts and Letters Instrumental Competition, Hanoi International Piano Competition, Haneol Music Competition, and Korea Piano Society Competition. He is a sought-after collaborator whose repertoire encompasses all instruments, from strings to percussion, as well as vocal works. He has collaborated with renowned musicians such as Kathleen McLean, Stephen Lange, and Angel Subero. An active chamber musician and educator, Kim performs regularly with his piano trio and has given master classes at universities. He also serves the IU Piano Academy as a piano duet coach. Kim's early education in music composition led him to his activities as an arranger of classical, jazz, pop songs, and hymns for solo piano, and four-hands piano settings, performed by him and his wife, pianist Elizabeth Yao, and uploaded to his YouTube channel. More than 7,000 copies of his music have been sold on Musicnotes. Kim earned a Doctor of Music in Piano Performance degree with double minors in music theory and early music (harpsichord) at the Jacobs School as a protégé of Arnaldo Cohen, with whom he also completed a Master of Music degree. His early keyboard studies were with Elisabeth Wright. Kim earned a Bachelor of Music in Piano Performance degree from Seoul National University, where he studied with Hyoung-Joon Chang. Hailed by critics as a "superior poet" (Vancouver Sun) and praised for his "heart and indomitable will" (Gramophone), Grigory Kalinovsky has performed at some of the world's major venues, from all three stages of Carnegie Hall in New York to Laeiszhalle (Musikhalle) Großer Saal in Hamburg. His recording with pianist Tatiana Goncharova featuring Shostakovich's Violin Sonata and 24 Preludes was released by Centaur Records to great critical acclaim and hailed by the composer's son, conductor Maxim Shostakovich, as "a must-have for any Shostakovich music connoisseur." The duo's recording of the complete set of sonatas for violin and piano by Mieczysław Weinberg was released on Naxos label in 2017. A devoted educator, Kalinovsky has been on the faculty at the IU Jacobs School of Music since 2013. His book ViolinMind, on theory and technique of playing using different tuning systems, written in collaboration with famed cello professor Hans Jørgen Jensen, was published by OvationPress in 2019. Kalinovsky has presented master classes at many major music schools and festivals in the United States and abroad, including the New England Conservatory, Colburn School, University of Maryland, San Francisco Conservatory, Sibelius Academy in Helsinki, Buchmann-Mehta School of Music and Jerusalem Music Center in Israel, Hochschule für Musik "Hanns Eisler" in Germany, Beijing Central Conservatory in China, and Seoul National University and Korea National University of Arts in South Korea. He has recently recorded several hours of violin technique pedagogy videos for Tonebase Violin. His students have won top prizes at national and international competitions, including the Spohr International Violin Competition, Tibor Varga Junior Competition, Menuhin Young Artists Competition in England, and Andrea Postacchini Young Violinists Competition in Italy, among others. Kalinovsky started his music education with Tatiana Liberova in his native St. Petersburg, Russia. After coming to New York, he continued his studies with Pinchas Zukerman and Patinka Kopec at the Manhattan School of Music, where he later served as a faculty member for 15 years until his move to Indiana University.Elizabeth Yao is lecturer in music in piano at the Indiana University Jacobs School of Music, where she coordinates its secondary piano program and directs the Young Pianists program and the Summer Piano Academy. Yao has been praised for her sincerity of expression and the "intelligent, emotional coherence" of her musical interpretations. She has been featured as guest soloist with the Coeur d'Alene Symphony and as a guest artist on Spokane Public Radio's From the Studio. Other distinctions include prizes and awards from the Southern Illinois Young Artists Organization Instrumental Competition, Indianapolis Matinee Musicale Collegiate Scholarship Competition, Lima Symphony Orchestra Young Artist Competition, and Ladies Musical Club of Seattle Award Tour Competition. As a collaborator, she has played with the University of Washington Symphony Orchestra and the modern music ensemble Inverted Space. An educator and a music advocate, Yao has worked with students of all ages and levels, with an emphasis on accessibility, student self-efficacy, and student wellness. She has toured with the San Francisco Symphony Adventures in Music educational outreach program, performing to and teaching thousands of elementary school students. She has presented her research at the Music Teachers National Association (MTNA) Collegiate Chapters Symposium and has been a guest panelist at the Jacobs School's Office of Entrepreneurship and Career Development and the Cincinnati College-Conservatory of Music MTNA collegiate chapter. Yao earned a Doctor of Music degree from the Jacobs School of Music, with double minors in music theory and music history and literature, under the tutelage of André Watts. Her dissertation, "Let the Record Show," analyzes historical and recent recordings as an entry point for contextualizing and understanding the evolution of performance practices over the past 100 years. She earned a master's degree from the San Francisco Conservatory of Music under the guidance of Mack McCray and graduated magna cum laude from the University of Washington with double bachelor's degrees in piano performance (with honors) and Chinese. Yao lives in Bloomington, Indiana, with her husband and dog. Meeting URL:

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!About the DirectorsKevin Bobo is professor of music in percussion at the Indiana University Jacobs School of Music, a position he has held since 2007. Prior to his appointment at the Jacobs School, he served as assistant professor of percussion at the University of Kansas (2003-07). He studied percussion with J. C. Combs and Gordon Stout and composition with Greg Woodward and Dana Wilson. Internationally respected as a solo marimba artist, Bobo has performed on five continents. His travels have taken him to Taiwan, Singapore, Argentina, Puerto Rico, Mexico, Australia, Spain, Latvia, Lithuania, France, Italy, the Czech Republic, and nearly 40 states in the United States. As a composer, Bobo's compositions are performed all over the world, with his solo works frequently appearing on international competition repertoire lists. He has authored two method books and composed numerous pieces for a variety of instruments and ensembles.Joseph Gramley is professor of music in percussion and chair of the Percussion Department at the Indiana University Jacobs School of Music. A Grammy Award-winning multi-percussionist, Gramley has performed and taught internationally as a soloist and chamber musician, in addition to playing with major symphony orchestras. He released eight albums as a founding member of the Silkroad Ensemble and served as the group's first associate artistic director, working directly with Yo-Yo Ma. Gramley's two solo recordings, American Deconstruction and Global Percussion, represent definitive, milestone works in the modern multi-percussion canon. Gramley came to Bloomington after 12 years of leading the percussion program at the University of Michigan, where he successfully placed a generation of percussionists in varied posts worldwide—from symphony orchestras to Broadway, and top-tier universities and conservatories to world stages with pop artists and chamber musicians alike. His versatility as a percussionist has found him performing alongside a broad cross section of artists, including Ma, Elton John, Michael Stern, Renee Fleming, Wu Man, Glen Velez, and Keiko Abe. Gramley's cross-genre collaborations have seen him involved with more than 100 new commissions from the leading composers of our time. His duo, Organized Rhythm, with Clive Driskill-Smith, is the world's premier and most active organ/percussion collaboration. Born in 1970, Gramley grew up in Oregon and was named a presidential scholar in the arts in 1988. He did his undergraduate work at the University of Michigan. Festival experience includes Tanglewood, Salzburg Mozarteum, Spoleto Festival, Hong Kong, Guangzhou, and 15 summers at the Marlboro Music Festival. He made his concerto debut with the Houston Symphony and his solo debut at Carnegie Hall's Weill Recital Hall. Gramley earned his master's degree from Juilliard and directed its Summer Percussion Seminar for 17 years. (Photo by Brandon Ilaw)John Tafoya is professor of music in percussion at the Indiana University Jacobs School of Music. He served as principal timpanist of the National Symphony Orchestra from 1999 to 2007. Tafoya has held previous principal timpani positions with the American Wind Symphony, National Repertory Orchestra, Owensboro Symphony (Kentucky), Evansville Philharmonic Orchestra (Indiana), and Florida Philharmonic Orchestra. He has also performed with the symphony orchestras of Indianapolis, St. Louis, Baltimore, and Detroit. Tafoya has presented numerous master classes and clinics at universities across the United States and Canada. He was a featured clinician at the Percussive Arts Society International Convention (PASIC) in 2002, 2007, and 2011. His website, johntafoya.com, is accessed by thousands of percussion students and professional players each month. He has served on the faculties of the University of Evansville, Kentucky Wesleyan College, Florida International University, and University of Maryland. He is the author of two orchestral timpani repertoire books: The Working Timpanist's Survival Guide (2004), published by Carl Fischer, and Beyond the Audition Screen (Hal Leonard, 2011). Tafoya performed on the award-winning recording of Mahler's Symphony No. 1 by the Florida Philharmonic Orchestra under the direction of James Judd and on orchestral recordings by the St. Louis Symphony Orchestra and the National Symphony Orchestra under the direction of Leonard Slatkin. Tafoya can also be heard on the American Wind Symphony Orchestra's CD Concertos All and Sundry performing Kaoru Wada's Concertante for Timpani, Percussion, and Winds under the direction of Robert Austin Boudreau. Tafoya also participated on the Summit Brass CD All American Brass (Pro Arte, 1987) and on the 1992 Arkay CD William Albright: Music for Organ and Harpsichord, featuring organist Douglas Reed. Tafoya has worked under many prestigious conductors, including Marin Alsop, Vladimir Ashkenazy, James Conlon, Christoph von Dohnányi, Christopher Hogwood, Lorin Maazel, Mstislav Rostropovich, Leonard Slatkin, John Williams, Hugh Wolff, and David Zinman, among others. He proudly endorses American Drum Manufacturing Co., Avedis Zildjian Company, Grover Pro Percussion, Remo Inc., and Yamaha Corporation. Meeting URL:

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs! Meeting URL:

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!About the DirectorBrent Wallarab, composer, arranger, producer, and educator, has a career spanning nearly five decades. The Buselli-Wallarab Jazz Orchestra, founded in 1994 with trumpeter and educator Mark Buselli, held a 12-plus-year weekly residency at Indianapolis' famed Jazz Kitchen and has produced nine albums, including 2023's award-winning album The Gennett Suite. Since 2004, Wallarab has been arranger for the American Pianists Association, writing commissions in collaboration with pianists Emmet Cohen, Kenny Banks Jr., Sullivan Fortner, Isaiah J. Thomas, Paul Cornish, Aaron Diehl, Dan Tepfer, and many others. In 2025, Wallarab was arranger, conductor, and producer of Stryker with Strings – Goes to the Movies with guitarist Dave Stryker. The album remained in the top five of the jazz charts for 14 weeks. Wallarab was musical director and arranger for the 2024 Emmy Award winning PBS special Wes Montgomery at 100 and was nominated for an Emmy for the 2017 PBS production of his work The Gennett Suite. Wallarab is The David N. Baker Professor of Music in Jazz Studies at the Indiana University Jacobs School of Music. He was inducted into the Indianapolis Jazz Hall of Fame in 2017 and is an active member of the Recording Academy (Grammy Awards). Meeting URL:

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!Repertoire Steven Bryant: In This Broad Earth (2015)Joni Greene: Splitting Light (2026, consortium premiere)Gala Flagello: Love and Nature (2024)Aaron Perrine: Pale Blue on Deep (2011)Dana Wilson: Colorado Peaks (2005)John Mackey: Aurora Awakes (2009)About the ConductorJason H. Nam is associate professor of music in bands at the Indiana University Jacobs School of Music, where he conducts bands and teaches undergraduate and graduate courses in instrumental conducting, administration of school bands, and wind literature. Nam earned a Doctor of Music in Wind Conducting degree from the Jacobs School, where he studied with Stephen W. Pratt. He earned an M.M. in Conducting and a B.M. in Music Education from the University of Redlands, where he studied with Eddie R. Smith. Nam served as a lecturer in the Department of Music at California State University, San Bernardino, and as director of bands at La Colina Junior High School and San Marcos High School in Santa Barbara, California. More recently, he has served as a faculty member, ensemble conductor, and director of the IU Summer Music Clinic. Nam keeps a busy schedule as conductor, adjudicator, and clinician across North America. He was named a national finalist for The American Prize in Conducting (Band/Wind Ensemble division) in 2017 amd 2023. His IU Concert Band was invited to perform at the 2020 College Band Directors National Association North Central Conference in Chicago, Illinois. Nam served as resident music director of the Bloomington-based Southern Indiana Wind Ensemble from 2016 to 2021, performing widely throughout Indiana and as an invited ensemble at the Ohio Music Educators Professional Development Conference in 2020. He has been published in the Journal of the National Band Association and the American Bandmasters Association's Journal of Band Research. His research interests include the music of William Bolcom, the wind chamber music of Igor Stravinsky, the historical development of the wind band repertoire in the twentieth century, and effective rehearsal methodologies for conductors. Nam currently serves on the national selection committee for the National Band Association/William D. Revelli Memorial Band Composition Contest and holds professional memberships in the College Band Directors National Association, National Band Association, Conductors Guild, Indiana Music Education Association, and Pi Kappa Lambda music honor society. Meeting URL:

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!Piano soloist to be announcedRepertoire Beethoven: Choral Fantasy, Op. 80 (1808)Felix Mendelssohn: Die erste Walpurgisnacht, Op. 60 (1832/43) Meeting URL:

Luke Gillespie Groups 1 and 2

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!Repertoire Joseph Turrin: Academy Overture (2017)Benson: The Leaves are Falling (1964)Corey Chang: What's Next? (2024/25, premiere, D.M. dissertation)Joni Greene: AfterGlow (2024)Jodie Blackshaw: 22° halo (2022)Alfred Reed: Russian Christmas Music (1944/69)About the ConductorEric M. Smedley is associate professor of music in bands at the Indiana University Jacobs School of Music, where he directs the Symphonic Band, teaches undergraduate and graduate instrumental conducting courses, and serves as the director of the Big Red Basketball Band. Smedley earned a Doctor of Musical Arts degree from the University of Washington and Master of Music and Bachelor of Music Education degrees from the Jacobs School of Music. He previously served on the music faculties of Boise State University and Western Kentucky University and as a public-school music educator in Cocoa Beach, Florida; Santa Monica, California; and Kenosha, Wisconsin. He has conducted throughout North America and in Vietnam, Poland, Russia, and Japan. Smedley maintains an active schedule as a clinician, guest conductor, adjudicator, and trumpet performer. His Symphonic Band was selected to perform at the 2018 College Band Directors National Association North Central Conference. He was a finalist at the 2023 Warsaw Wind Band Conducting Competition in Warsaw, Poland. In 2025, Navona Records released the album Origins and Expansions, featuring a composition by Kevin Bobo, world-renowned steel pan soloist Liam Teague, and the IU Wind Ensemble. Smedley's research interests are varied and include projects in the areas of contemporary wind band literature, wind band orchestration, and conducting pedagogy. Smedley is a member of the Gamma chapter of the international band fraternity Phi Beta Mu and is an honorary member of Kappa Kappa Psi, Tau Beta Sigma, and Phi Mu Alpha Sinfonia. He is a member of the College Band Directors National Association and the National Association for Music Education. He lives in Bloomington, Indiana, with his wife, Jessica, their daughter, Ella, and their Bedlington Terriers, Piper and Finn. Meeting URL:

Faculty Recital

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!Repertoire Mike Schelle: The Case of the Sentimental Psychopath (2025)Christopher Stark: Prehistoric Songs and Dances That Never Existed (2025)H. K. Gruber: Frankenstein!! (1977/79)About the DirectorDavid Dzubay's compositions have been performed in the United States, Europe, Canada, Mexico, and Asia by the symphony orchestras of Aspen, Atlanta, Baltimore, Boston, Cincinnati, Detroit, Fort Wayne, Guangxi, Guiyang, Honolulu, Kansas City, Louisville, Memphis, Minnesota, Oregon, Oakland, St. Louis and Vancouver; the American Composers Orchestra, National Symphonies of Ireland and Mexico, New World Symphony, National Repertory Orchestra, and New York Youth Symphony; and ensembles including the Grossman Ensemble, Le Nouvel Ensemble Moderne, Onix, Manhattan and St. Louis Brass Quintets, Voices of Change, the Alexander, Orion and Pacifica string quartets, the League/ISCM, Earplay, and the San Francisco Contemporary Music Players. His music has been championed by conductors including James DePreist, George Hanson, Keith Lockhart, David Loebel, Michael Morgan, Eiji Oue, Richard Pittman, Iván del Prado, Mark Russell Smith, Lawrence Leighton Smith, Michael Stern, Carl Topilow, David Wiley, Kirk Trevor, Thomas Wilkins, and David Zinman. Honors include two Fromm Music Foundation commissions; Guggenheim, MacDowell, Yaddo, Copland House, and Djerassi fellowships; the Kuhmo Chamber Music Festival Composition Competition, Indianapolis Chamber Orchestra Composition Competition, Utah Arts Festival Commission, William Revelli and Walter Beeler Memorial Prizes, Wayne Peterson Prize; and grants from the Aaron Copland Fund for Music for two portrait CDs. Currently professor of music and director of the New Music Ensemble at the Indiana University Jacobs School of Music in Bloomington, Dzubay was previously on the faculty of the University of North Texas in Denton. Since 2011, he has taught composition for three weeks each summer at the Brevard Music Center. From 1995 to 1998, he served as composer-consultant to the Minnesota Orchestra and during the 2005-06 season, he was Meet the Composer/American Symphony Orchestra League Music Alive Composer-in-Residence with the Green Bay Symphony Orchestra. Dzubay has conducted at the Tanglewood, Aspen, and June in Buffalo festivals as well as the National Symphony of Columbia, Grossman Ensemble, League of Composers Orchestra, Pittsburgh New Music Ensemble, Music from China, and Voices of Change. Meeting URL:

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!Cello soloist to be announcedRepertoire Jennifer Higdon: blue cathedral (2000)V. Herbert: Cello Concerto No. 2 in E Minor, Op. 30 (1894)L. Bernstein: Symphony No. 1. Jeremiah (1942)About the Artists Born in North Carolina, David Charles Abell studied viola, trumpet, piano, organ, and composition, turning his attention to conducting at age 14. He subsequently studied with Leonard Bernstein and Nadia Boulanger, earning degrees from Yale University and The Juilliard School. He has worked with distinguished artists including Bryn Terfel, Simon Keenlyside, Diana Damrau, Stephen Hough, Judi Dench, Emma Thompson, Lea Salonga, Idina Menzel, Heather Headley, Petula Clark, Josh Groban, Matthew Morrison, Michael Ball, and Michael Feinstein. The many international orchestras he has conducted include the London Symphony, BBC Symphony, Royal Philharmonic, Wiener Symphoniker, Orchestre Philharmonique de Radio France, Orchestre National de Lyon, Prague Philharmonia, Atlanta Symphony, Cincinnati Symphony, Hong Kong Philharmonic, Iceland Symphony, and Boston Pops. Abell's television and radio appearances encompass a wide repertoire, from Johann Strauss (with the period-instrument Wiener Akademie) to the launch of the Ten Pieces classical music education project with the BBC Concert Orchestra. Three of his five appearances at the BBC Proms were televised: the Richard Rodgers Centenary, Sondheim at 80, and the War Horse Prom in 2014. His particular affinity with the operatic repertoire has attracted repeat engagements with Cincinnati Opera and Lyric Opera of Kansas City as well as guest appearances with Opera Philadelphia, Michigan Opera Theatre, Atlanta Opera, Hawaii Opera Theatre, Staatstheater am Gärtnerplatz, and many others. Considered one of the top international conductors of musical theatre, he led the French premieres of four Stephen Sondheim musicals and conducted the Les Misérables tenth and twenty-fifth anniversary concerts. For the centennial of his mentor Leonard Bernstein, Abell conducted Songfest and the Serenade with the BBC Symphony Orchestra, West Side Story at Glimmerglass and Lyric Opera of Kansas City, and three concerts of Bernstein's theater music with the Philly POPS. Recordings include excerpts from La Bohème and Madama Butterfly,Something's Gotta Give (with Simon Keenlyside), Jonathan Dove's opera Tobias and the Angel, and complete recordings of Miss Saigon and Man of La Mancha.Forever (with soprano Diana Damrau). Michelle DeYoung is associate professor of music in voice at the Indiana University Jacobs School of Music. DeYoung has established herself as one of the most exciting artists of her generation. She continues to be in demand throughout the world, appearing regularly with the New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, San Francisco Symphony, Pittsburgh Symphony Orchestra, The Met Orchestra, London Symphony Orchestra, BBC Symphony Orchestra, Vienna Philharmonic, and the Concertgebouworkest. She has also performed at the prestigious festivals of Ravinia, Tanglewood, Saito Kinen, Edinburgh, and Lucerne. In Australia, she has appeared multiple times with the Sydney Symphony and most recently sang Kundry in concert performances of Parsifal at Opera Australia. Equally at home on the opera stage, DeYoung has appeared with the Metropolitan Opera, Lyric Opera of Chicago, Teatro alla Scala, Bayreuth Festival, Berliner Staatsoper, Paris Opera, Theater Basel, English National Opera and the Tokyo Opera. Her many roles include the title roles in Samson et Dalilah and The Rape of Lucretia, Fricka, Sieglinde and Waltraute in The Ring Cycle, Kundry in Parsifal, Venus in Tannhäuser, Brangäne in Tristan und Isolde, Eboli in Don Carlos, Amneris in Aida, Santuzza in Cavellaria Rusticana, Marguerite in Le Damnation de Faust, Dido in Les Troyens, Judith in Bluebeard's Castle, and Jocaste in Oedipus Rex. She also created the role of the Shaman in Tan Dun's The First Emperor at the Metropolitan Opera. A multi-Grammy Award-winning recording artist, DeYoung's impressive discography includes Das Rheingold and Die Walküre with the Jaap van Zweden and the Hong Kong Philharmonic Orchestra (Naxos), Kindertotenlieder, Mahler's Symphony No. 3, and Das Klagende Lied with Michael Tilson Thomas and the San Francisco Symphony (SFS Media), Les Troyens with Colin Davis and the London Symphony Orchestra (LSO Live!), and Mahler Symphony No. 3 with both the Chicago Symphony Orchestra and Bernard Haitink (CSO Resound) and the Pittsburgh Symphony and Manfred Honeck (Challenge Records International). Her first solo disc was released on the EMI label. Meeting URL:

RepertoireLange: Sonata No. 4 in D Major, Op. 28 (1879)Felix Mendelssohn: Sonata in D Minor, Op. 65 No. 6 (1845)Reubke: Sonata on the 94th Psalm (1857)About the Artist One of the most renowned organ virtuosos and organ pedagogues, Ludger Lohmann has exerted a lasting influence on organ culture. His career as a recitalist, which has brought him to many important churches, cathedrals, and concert halls all over the world, started with awards at several important international competitions, including the competition of the German Broadcasting Corporations in Munich 1979 and the Grand Prix de Chartres 1982, among others. Born in Herne in 1954, he studied organ with Wolfgang Stockmeier and harpsichord with Hugo Ruf at Cologne Musikhochschule. While writing his musicology Ph.D. dissertation, "Articulation on Keyboard Instruments of the 16.-18. Centuries," he received important artistic stimuli from Anton Heiller in Vienna and Marie-Claire Alain in Paris. The dedication to this artistic legacy motivated him to regard his own pedagogical work as equally important as his recitalist's career. In more than 40 years, first at Cologne Musikhochschule, from 1983 as professor at Stuttgart Musikhochschule, he educated numerous talented young organists from all over the world, many of whom are now doing remarkable artistic and pedagogical work themselves. A central concern was always striving for an interpretation of musical works according the the stylistic conventions of the times of their origin, departing from the insights gathered in his doctoral dissertation, which became standard reading, and later broadened by many publications concerning the nineteenth and twentieth centuries. Musically, they are documented in numerous CD recordings. His artistic and pedagogical impact has led Lohmann through the world, as guest professor, teacher of countless master classes, and jury member of many international competitions. He was attached to the big organ research project GOArt of Göteborg University as senior researcher. As organ consultant, he accompanied several organ building and restoration projects in several countries. In order to honor his manifold activities, the Bristish Royal College of Organists awarded him their first honors medal. In 2023, he receives the prestigious German Prize of the European Church Music.

About the Artist One of the most renowned organ virtuosos and organ pedagogues, Ludger Lohmann has exerted a lasting influence on organ culture. His career as a recitalist, which has brought him to many important churches, cathedrals, and concert halls all over the world, started with awards at several important international competitions, including the competition of the German Broadcasting Corporations in Munich 1979 and the Grand Prix de Chartres 1982, among others. Born in Herne in 1954, he studied organ with Wolfgang Stockmeier and harpsichord with Hugo Ruf at Cologne Musikhochschule. While writing his musicology Ph.D. dissertation, "Articulation on Keyboard Instruments of the 16.-18. Centuries," he received important artistic stimuli from Anton Heiller in Vienna and Marie-Claire Alain in Paris. The dedication to this artistic legacy motivated him to regard his own pedagogical work as equally important as his recitalist's career. In more than 40 years, first at Cologne Musikhochschule, from 1983 as professor at Stuttgart Musikhochschule, he educated numerous talented young organists from all over the world, many of whom are now doing remarkable artistic and pedagogical work themselves. A central concern was always striving for an interpretation of musical works according the the stylistic conventions of the times of their origin, departing from the insights gathered in his doctoral dissertation, which became standard reading, and later broadened by many publications concerning the nineteenth and twentieth centuries. Musically, they are documented in numerous CD recordings. His artistic and pedagogical impact has led Lohmann through the world, as guest professor, teacher of countless master classes, and jury member of many international competitions. He was attached to the big organ research project GOArt of Göteborg University as senior researcher. As organ consultant, he accompanied several organ building and restoration projects in several countries. In order to honor his manifold activities, the Bristish Royal College of Organists awarded him their first honors medal. In 2023, he receives the prestigious German Prize of the European Church Music.

About the DirectorsKevin Bobo is professor of music in percussion at the Indiana University Jacobs School of Music, a position he has held since 2007. Prior to his appointment at the Jacobs School, he served as assistant professor of percussion at the University of Kansas (2003-07). He studied percussion with J. C. Combs and Gordon Stout and composition with Greg Woodward and Dana Wilson. Internationally respected as a solo marimba artist, Bobo has performed on five continents. His travels have taken him to Taiwan, Singapore, Argentina, Puerto Rico, Mexico, Australia, Spain, Latvia, Lithuania, France, Italy, the Czech Republic, and nearly 40 states in the United States. As a composer, Bobo's compositions are performed all over the world, with his solo works frequently appearing on international competition repertoire lists. He has authored two method books and composed numerous pieces for a variety of instruments and ensembles.Joseph Gramley is professor of music in percussion and chair of the Percussion Department at the Indiana University Jacobs School of Music. A Grammy Award-winning multi-percussionist, Gramley has performed and taught internationally as a soloist and chamber musician, in addition to playing with major symphony orchestras. He released eight albums as a founding member of the Silkroad Ensemble and served as the group's first associate artistic director, working directly with Yo-Yo Ma. Gramley's two solo recordings, American Deconstruction and Global Percussion, represent definitive, milestone works in the modern multi-percussion canon. Gramley came to Bloomington after 12 years of leading the percussion program at the University of Michigan, where he successfully placed a generation of percussionists in varied posts worldwide—from symphony orchestras to Broadway, and top-tier universities and conservatories to world stages with pop artists and chamber musicians alike. His versatility as a percussionist has found him performing alongside a broad cross section of artists, including Ma, Elton John, Michael Stern, Renee Fleming, Wu Man, Glen Velez, and Keiko Abe. Gramley's cross-genre collaborations have seen him involved with more than 100 new commissions from the leading composers of our time. His duo, Organized Rhythm, with Clive Driskill-Smith, is the world's premier and most active organ/percussion collaboration. Born in 1970, Gramley grew up in Oregon and was named a presidential scholar in the arts in 1988. He did his undergraduate work at the University of Michigan. Festival experience includes Tanglewood, Salzburg Mozarteum, Spoleto Festival, Hong Kong, Guangzhou, and 15 summers at the Marlboro Music Festival. He made his concerto debut with the Houston Symphony and his solo debut at Carnegie Hall's Weill Recital Hall. Gramley earned his master's degree from Juilliard and directed its Summer Percussion Seminar for 17 years. (Photo by Brandon Ilaw)John Tafoya is professor of music in percussion at the Indiana University Jacobs School of Music. He served as principal timpanist of the National Symphony Orchestra from 1999 to 2007. Tafoya has held previous principal timpani positions with the American Wind Symphony, National Repertory Orchestra, Owensboro Symphony (Kentucky), Evansville Philharmonic Orchestra (Indiana), and Florida Philharmonic Orchestra. He has also performed with the symphony orchestras of Indianapolis, St. Louis, Baltimore, and Detroit. Tafoya has presented numerous master classes and clinics at universities across the United States and Canada. He was a featured clinician at the Percussive Arts Society International Convention (PASIC) in 2002, 2007, and 2011. His website, johntafoya.com, is accessed by thousands of percussion students and professional players each month. He has served on the faculties of the University of Evansville, Kentucky Wesleyan College, Florida International University, and University of Maryland. He is the author of two orchestral timpani repertoire books: The Working Timpanist's Survival Guide (2004), published by Carl Fischer, and Beyond the Audition Screen (Hal Leonard, 2011). Tafoya performed on the award-winning recording of Mahler's Symphony No. 1 by the Florida Philharmonic Orchestra under the direction of James Judd and on orchestral recordings by the St. Louis Symphony Orchestra and the National Symphony Orchestra under the direction of Leonard Slatkin. Tafoya can also be heard on the American Wind Symphony Orchestra's CD Concertos All and Sundry performing Kaoru Wada's Concertante for Timpani, Percussion, and Winds under the direction of Robert Austin Boudreau. Tafoya also participated on the Summit Brass CD All American Brass (Pro Arte, 1987) and on the 1992 Arkay CD William Albright: Music for Organ and Harpsichord, featuring organist Douglas Reed. Tafoya has worked under many prestigious conductors, including Marin Alsop, Vladimir Ashkenazy, James Conlon, Christoph von Dohnányi, Christopher Hogwood, Lorin Maazel, Mstislav Rostropovich, Leonard Slatkin, John Williams, Hugh Wolff, and David Zinman, among others. He proudly endorses American Drum Manufacturing Co., Avedis Zildjian Company, Grover Pro Percussion, Remo Inc., and Yamaha Corporation.

Repertoire All works by Don Freund Plots Twists: Concertino Grosso (2026, premiere) Louder than Words (2001) Song in the Waves (2019) Additional repertoire to be announcedAbout the ArtistDon Freund is professor of music in composition at the Indiana University Jacobs School of Music, where he has been on faculty since 1992. His students from a 50-year teaching career continue to win an impressive array of awards and recognitions. He has been described as "a composer thoughtful in approach and imaginative in style" (The Washington Post), whose music is "exciting, amusing, disturbing, beautiful, and always fascinating" (Music and Musicians, London). He is an internationally recognized composer with works ranging from solo, chamber, and orchestral music to pieces involving live performances with electronic instruments, music for dance, and large theater works. Many of his works are available on commercial CD. The recipient of numerous awards and commissions, including two grants from the National Endowment for the Arts and a Guggenheim Fellowship, Freund has served as guest composer at a vast array of universities and music festivals, and presented master classes throughout Europe, Australia, Asia, Africa, and South America. He is also active as a pianist, conductor, and lecturer. As a festival coordinator, he has programmed over 1,000 new American works. He has been conductor or pianist in the performance of some 200 new pieces, usually in collaboration with the composer. Freund's piano concert repertoire extends from new music to complete performances of Bach's The Well-Tempered Clavier and his own pianistic realizations of Machaut. He has performed his Earthdance Concerto with numerous university wind ensembles. Up-to-date news on works and performances as well as videos, audio files, and pdf scores of over 100 of his compositions can be found at DonFreund.com.

Piano soloist to be announcedRepertoire Danny Elfman: Wunderkammer (2022)MacDowell: Piano Concerto No. 2 in D Minor, Op. 23 (1886)Barber: Symphony No. 1 (in One Movement), Op. 9 (1936/43)About the Artists Multiple Grammy Award-winning conductor JoAnn Falletta serves as music director of the Buffalo Philharmonic Orchestra (BPO), music director laureate of the Virginia Symphony, principal guest conductor of the Brevard Music Center, and conductor laureate of the Hawaii Symphony. Gramophone Magazine named Falletta as one of the 50 great conductors of all time, and ASCAP has honored her as "a leading force for music of our time." As music director of the BPO, Falletta became the first woman to lead a major American orchestra. She has guest conducted over 100 orchestras in North America and many of the most prominent orchestras in Europe, Asia, and South America. She is a leading recording artist for Naxos and has won two individual Grammys, for Richard Danielpour's The Passion of Yeshua with the BPO and for Kenneth Fuchs' Spiritualist with the London Symphony Orchestra. Her Naxos recording of John Corigliano's Mr. Tambourine Man with the BPO received two Grammys and her Scriabin recording with the BPO was nominated for a 2024 Grammy for Best Orchestral Performance. Falletta is a member of the American Academy of Arts and Sciences, has served by presidential appointment as a member of the National Council on the Arts, and is the recipient of many of the most prestigious conducting awards. She has conducted over 1,600 orchestral works by more than 600 composers,including over 135 works by women composers and over 150 premieres. After completing her bachelor's degree at Mannes, Falletta earned master's and doctoral degrees from The Juilliard School. When not on the podium, she enjoys playing classical guitar, writing, cycling, and yoga, and is an avid reader.Brent Gault is professor of music education at the Indiana University Jacobs School of Music. He has taught elementary and early childhood music courses in Texas, Wisconsin, Connecticut, Pennsylvania, and Indiana. He specializes in elementary general music education, early childhood music education, and Kodály-inspired methodology. Gault also has training in both the Orff and Dalcroze approaches to music education. He has presented sessions and research at conferences of the American Orff-Schulwerk Association, Dalcroze Society of America, International Kodály Society, International Society for Music Education, Organization of American Kodály Educators, and MENC: The National Association for Music Education. In addition, he has served as a presenter and guest lecturer for colleges and music education organizations in the United States, Canada, China, and Ireland. Articles by Gault have been published in various music education periodicals, including the Bulletin of the Council for Research in Music Education, Journal of Research in Music Education, Music Educators Journal, General Music Today, Kodály Envoy, Orff Echo, and American Dalcroze Journal. He is the co-editor (with Carlos Abril) of Teaching General Music (2016, Oxford University Press) and author of Listen Up! Fostering Musicianship Through Active Listening (2016, Oxford University Press). In addition to his duties with the Jacobs School Music Education Department, Gault serves as the program director for the Indiana University Children's Choir, where he conducts the Allegro Choir. He is a past president of the Organization of American Kodály Educators.

"Standing on the Shoulders of Giants: Music of Brahms, Mendelssohn, Robert Schumann"

Repertoire All works by Don Freund Plots Twists: Concertino Grosso (2026, premiere) Louder than Words (2001) Song in the Waves (2019) Additional repertoire to be announcedAbout the ArtistDon Freund is professor of music in composition at the Indiana University Jacobs School of Music, where he has been on faculty since 1992. His students from a 50-year teaching career continue to win an impressive array of awards and recognitions. He has been described as "a composer thoughtful in approach and imaginative in style" (The Washington Post), whose music is "exciting, amusing, disturbing, beautiful, and always fascinating" (Music and Musicians, London). He is an internationally recognized composer with works ranging from solo, chamber, and orchestral music to pieces involving live performances with electronic instruments, music for dance, and large theater works. Many of his works are available on commercial CD. The recipient of numerous awards and commissions, including two grants from the National Endowment for the Arts and a Guggenheim Fellowship, Freund has served as guest composer at a vast array of universities and music festivals, and presented master classes throughout Europe, Australia, Asia, Africa, and South America. He is also active as a pianist, conductor, and lecturer. As a festival coordinator, he has programmed over 1,000 new American works. He has been conductor or pianist in the performance of some 200 new pieces, usually in collaboration with the composer. Freund's piano concert repertoire extends from new music to complete performances of Bach's The Well-Tempered Clavier and his own pianistic realizations of Machaut. He has performed his Earthdance Concerto with numerous university wind ensembles. Up-to-date news on works and performances as well as videos, audio files, and pdf scores of over 100 of his compositions can be found at DonFreund.com.

About the DirectorTom Walsh is Robert J. Waller Sr. and Robert J. Waller Jr. Professor of Music (saxophone) and chair of the Jazz Studies Department at the Indiana University Jacobs School of Music. An active performer of jazz and classical music, he has presented concerts and workshops in South Africa, China, Brazil, Japan, Azerbaijan, Costa Rica, in Europe, and across the United States. He is the co-author of the fifth edition of Creative Jazz Improvisation (2022) with Scott Reeves. His beginning improvisation book Jazz Master Teaches You to Improvise was published by Shanghai Music Publishing House in 2019. Recent recordings include The Pandemic Sessions by the IU jazz faculty, Luke Gillespie's Moving Mists, Basically Baker, Vol. 2, with the Buselli-Wallarab Jazz Orchestra (Patois), and Mike Hackett's New Point of View (Summit). Premiere performances include Scott Jones's concert band arrangement of Russell Peck's The Upward Stream, Chris Rutkowski's Concerto for Alto Saxophone and Wind Ensemble, and David Baker's Concerto for Alto Saxophone and Orchestra. His latest solo CD release is Intersections (Arizona University Recordings). Earlier solo CDs include New Life (RIAX) and Shaking the Pumpkin (RIAX). Other releases include the David Baker Concerto on Paul Freeman Introduces David Baker, Vol. XII (Albany), Basically Baker with the Buselli/Wallarab Jazz Orchestra (Patois), and Sky Scrapings: Saxophone Music of Don Freund (AUR). Walsh is a Yamaha Performing Artist and a Vandoren Artist. He taught at the Jamey Aebersold Summer Jazz Workshops from 1991 to 2019. He co-leads the IU Summer Saxophone Academy with Otis Murphy and is co-director of the College Audition Preparation Workshop. Walsh earned degrees in Saxophone Performance and Jazz Studies from Indiana University, where his principal teachers were distinguished classical saxophonist Eugene Rousseau and renowned jazz educator David Baker. His other influential teachers include Mike Tracy, Pat LaBarbera, Jerry Coker, and David Liebman.

RepertoireAaron Travers: Whitman Studies (2026, world premiere)Shavon Lloyd: So Breaks the Sun (2017)Dale Trumbore: The Piano Tuner (2020/24)Texu Kim: Phos Hilaron (2020)Ily Matthew Maniano: Padayon (2020)About the Director Recognized with The American Prizes in both Choral Composition (2014) and Choral Performance (2019, with NOTUS), Dominick DiOrio is an imaginative, enthusiastic, and energetic conductor and composer who has won widespread acclaim for his contributions to American music. He is professor of music and chair of the department in choral conducting at the Indiana University Jacobs School of Music, where he joined the faculty in 2012, and where he serves as director of NOTUS, IU's storied contemporary vocal ensemble, which has been invited to perform at regional, national, and international choral conferences, and with which he has released three commercial albums to critical acclaim. DiOrio also serves as artistic director and conductor of the Mendelssohn Chorus of Philadelphia, which he regularly prepares to sing with The Philadelphia Orchestra. DiOrio's love for contemporary music is reflected in his conducted repertoire, including works by such path-breaking composers as James MacMillan, Steve Reich, and Krzysztof Penderecki. Guest conducting appearances frequently feature his original compositions, including with the Choral Arts Society of Washington (SOLARIS), Houston Chamber Choir (I Am), Choral Arts Initiative (All Is), and the Young Naperville Singers (Young Today). As a composer, DiOrio has been hailed for a keenly intelligent, evocative style, which shows "a tour de force of inventive thinking and unique colour" (Gramophone). His over 70 published works have appeared at major venues around the world, including the Sydney Opera House, Lincoln Center, and Carnegie Hall. He composes for musicians of all ages and experiences and maintains an active writing schedule—completing over 70 commissions in the last decade. Recent commissioning partners include the San Francisco Gay Men's Chorus and the San Francisco Symphony, Children's Chorus of Washington, The Choral Arts Society of Washington, and "The President's Own" United States Marine Band. DiOrio earned a Doctor of Musical Arts degree in conducting from the Yale School of Music, as well as M.M.A. and M.M. degrees in conducting from Yale and a B.M. in composition summa cum laude from Ithaca College.

Plummer Jazz Group (Greg Ward, director) and Wayne Wallace Group

Repertoire to be announcedAbout the ArtistsDuo Cortona is a contemporary music ensemble dedicated to the creation of works for its unique instrumentation: mezzo-soprano and violin. This ensemble explores new sounds and possibilities for its intimate, expressive, and vital combination. Duo Cortona works to establish a new and thus far unexplored repertoire, pursuing the endless possibilities of this union. We create opportunities for both established and emerging composers through commissions, competitions, educational workshops, university residencies, and major concert performances. Duo Cortona was founded at the Cortona Sessions for New Music by husband and wife team Ari Streisfeld and Rachel Calloway. Recent and upcoming performances include the Southern Exposure Series for New Music, East Carolina New Music Initiative, University of Wisconsin, College of Charleston, New Music New College, the Gabriela Lena Frank Creative Academy of Music, Resonant Bodies Festival, The Stone, the SONiC Festival, New Music on the Point, and Contemporary Undercurrent of Song Project (Princeton). Mezzo-soprano Rachel Calloway brings versatility and compelling insight to stages worldwide. Praised as "a gale-force" (Time Out New York) with a "dark-hued and sizable voice" (New York Times), she is especially recognized as an interpreter of new and contemporary music. Recent and upcoming premieres include music by Augusta Read Thomas, John Zorn, Orlando Jacinto Garcia, Robert Xavier Rodriguez, David Garner, Gabriela Lena Frank, Christopher Cerrone, and Annika Socolofsky. Calloway has appeared in concert with the Orlando Philharmonic, Los Angeles Philharmonic New Music Series, Charleston Symphony, the New York Philharmonic, Berkeley Symphony, Ojai Festival, San Francisco Girls' Chorus, BAM Next Wave Festival, Bridgehampton Chamber Music Festival, Cal Performances, and Lincoln Center Festival. Calloway made her European operatic debut as Mrs. Grose in The Turn of the Screw at Opéra de Reims, Athénée Théâtre Louis-Jovet (Paris), and Opéra de Lille. She cofounded the musical collective Shir Ami: Song of our People with her brother, cellist Jason Calloway. A passionate and devoted educator, Calloway serves on the faculty of the University of South Carolina as assistant professor of voice and director of Spark: Music Leadership at Carolina. She joined the faculty of the Cortona Sessions for New Music (Italy) in 2014, Summer Performing Arts with Juilliard in 2016, and the Chautauqua Opera Conservatory in 2023. Calloway earned degrees from The Juilliard School (B.M.) and Manhattan School of Music (M.M.). Violinist Ari Streisfeld has garnered critical acclaim worldwide for his performances of diverse repertoire and has established himself as one of the foremost interpreters of contemporary classical music. Praised for his "dazzling performance" by the New York Times and "scintillating playing" by New York Classical Review, Streisfeld is a founding member of the world renowned JACK Quartet. Recent season highlights include performances at Wigmore Hall (London), La Salle Pleyel (Paris), Teatro Colon (Argentina), Suntory Hall (Tokyo), Bali Arts Festival (Indonesia), Carriage Works (Sydney, Australia), Venice Biennale (Italy), Carnegie Hall, The Library of Congress, The Morgan Library (New York), the Lucerne Festival (Switzerland), and the Salzburg Festival (Austria). He has collaborated with many of today's most prominent composers including John Luther Adams, Caroline Shaw, Julia Wolfe, Helmut Lachenmann, Matthias Pintscher, Georg Friedrich Haas, Steve Reich, and Salvatore Sciarrino. Streisfeld's arrangements of madrigals and motets for string quartet by Machaut and Gesualdo have been performed to acclaim both at home and abroad. A recipient of the Morton Gould Young Composer Award, Streisfeld most recently premiered his Machaut arrangements for voice and violin at The Stone (New York). A passionate and committed music educator, Streisfeld serves on the faculty of New York's Special Music School, Face the Music, New Music on the Point, and the Cortona Sessions for New Music (Italy). He is assistant professor of violin pedagogy at the University of South Carolina School of Music. Streisfeld attended the Eastman School of Music (Bachelor of Music), Northwestern University (Master of Music), and Boston University (Doctor of Musical Arts). He has recorded for Mode, Albany, Carrier, Innova, Canteloupe, and New World Records.

Repertoire and additional performers to be announcedAbout the ArtistIngrid Matthews teaches baroque violin in the Historical Performance Institute at the Indiana University Jacobs School of Music. She served previously as music director of the Seattle Baroque Orchestra and has appeared as a soloist, guest director, and concertmaster for leading early music ensembles including the New York Collegium, Australian Brandenburg Orchestra, Boston Early Music Festival Orchestra, Ars Lyrica, Tafelmusik Baroque Orchestra, Musica Angelica, The Bach Sinfonia, Indianapolis Baroque Orchestra, and many others. She is also a member of San Francisco-based chamber ensemble Musica Pacifica and has held teaching residencies at the University of Southern California, University of Toronto, Oberlin College, Cornish College of the Arts, New England Conservatory, and others. First prizewinner in the 1989 Erwin Bodky International Competition for Early Music, Matthews herself has served as a juror for competitions such as the Maurice and Lillian Barbash International Bach Competition and the Indianapolis Early Music Competition. She has received high critical acclaim for her extensive discography; her recording of the Sonatas and Partitas for Unaccompanied Violin of J. S. Bach was named "top recommendation for this music...on either period or modern instruments" by American Record Guide, and her recording of Biagio Marini is included in the Norton Anthology of Music used by conservatories and universities worldwide.

Repertoire Milhaud: Le bœuf sur la toit, Op. 58 (1919)Gabriela Lena Frank: Elegía andina (2000)Piazzolla: Sinfonietta (1953)Sibelius: Suite from "Pelleas and Melisande," Op. 46 (1905)About the Conductor Conductor Camilo Téllez is director of orchestras for the Community School at the Colburn School. His artistic development was shaped within the Los Angeles Philharmonic and the Dudamel Fellowship (2021-22), where he worked closely with Gustavo Dudamel, collaborating with artists such as Zubin Mehta, Michael Tilson Thomas, Elim Chan, Hilary Hahn, Beatrice Rana, Emanuel Ax, and María Dueñas. His work has taken him across the United States, Europe, Latin America, and China, with appearances including the Los Angeles Philharmonic, the Bogotá Philharmonic Orchestra, the Naples Philharmonic, the Florida Orchestra, the Netherlands Philharmonic Orchestra, the Hamburg Theater Orchestra, and the Turku Chamber Orchestra. His artistic practice includes a 30-city tour in China, as well as collaborations in diverse performance contexts, including a production of Peter and the Wolf at the Hollywood Bowl, featuring narrator Viola Davis, and a production of Fidelio involving deaf performers, under Gustavo Dudamel. He has also participated in performances of rediscovered repertoire, including a lost violin concerto by African-Cuban composer Joseph White, performed with violinist Rachel Barton Pine. Téllez has developed a deep passion for inspiring and mentoring younger generations of musicians through orchestral training and music education. He believes that orchestras are a reflection of a complex society, where discipline, empathy, collaboration, and mutual respect can shape not only better musicians but also better human beings. This philosophy has guided his extensive experience working with youth orchestras, festivals, universities, and educational programs throughout the United States, China, Venezuela, Colombia, and Panama, collaborating with youth, university, and community ensembles. As instrumentalist, he maintains an active study of the organ, with a focus on the music of Bach and Buxtehude, which informs his understanding of structure, sound, and orchestral color. He earned a Master of Music degree in Orchestral Conducting from the Indiana University Jacobs School of Music and a Bachelor of Music from Juan N. Corpas in Colombia.

Repertoire W. A. Mozart: Missa brevis in F Major, K.192Felix Mendelssohn: 'Richte mich, Gott' from "Three Psalms, Op. 78" (1844/45)Byrd: Haec dies (1591)Lasso: Timor et tremor (1566)Stanford: The Blue Bird, Op. 119 No. 3 (1910)Lasso: Matona, mia cara (1581)Eric Whitacre: A Boy and a Girl (2002)Morley: Fyre, fyre, my heart (1595)Verdi: 'Ave Maria' From "Quattro pezzi sacri" (1898)

Repertoire to be announcedAbout the ArtistsDuo Cortona is a contemporary music ensemble dedicated to the creation of works for its unique instrumentation: mezzo-soprano and violin. This ensemble explores new sounds and possibilities for its intimate, expressive, and vital combination. Duo Cortona works to establish a new and thus far unexplored repertoire, pursuing the endless possibilities of this union. We create opportunities for both established and emerging composers through commissions, competitions, educational workshops, university residencies, and major concert performances. Duo Cortona was founded at the Cortona Sessions for New Music by husband and wife team Ari Streisfeld and Rachel Calloway. Recent and upcoming performances include the Southern Exposure Series for New Music, East Carolina New Music Initiative, University of Wisconsin, College of Charleston, New Music New College, the Gabriela Lena Frank Creative Academy of Music, Resonant Bodies Festival, The Stone, the SONiC Festival, New Music on the Point, and Contemporary Undercurrent of Song Project (Princeton). Mezzo-soprano Rachel Calloway brings versatility and compelling insight to stages worldwide. Praised as "a gale-force" (Time Out New York) with a "dark-hued and sizable voice" (New York Times), she is especially recognized as an interpreter of new and contemporary music. Recent and upcoming premieres include music by Augusta Read Thomas, John Zorn, Orlando Jacinto Garcia, Robert Xavier Rodriguez, David Garner, Gabriela Lena Frank, Christopher Cerrone, and Annika Socolofsky. Calloway has appeared in concert with the Orlando Philharmonic, Los Angeles Philharmonic New Music Series, Charleston Symphony, the New York Philharmonic, Berkeley Symphony, Ojai Festival, San Francisco Girls' Chorus, BAM Next Wave Festival, Bridgehampton Chamber Music Festival, Cal Performances, and Lincoln Center Festival. Calloway made her European operatic debut as Mrs. Grose in The Turn of the Screw at Opéra de Reims, Athénée Théâtre Louis-Jovet (Paris), and Opéra de Lille. She cofounded the musical collective Shir Ami: Song of our People with her brother, cellist Jason Calloway. A passionate and devoted educator, Calloway serves on the faculty of the University of South Carolina as assistant professor of voice and director of Spark: Music Leadership at Carolina. She joined the faculty of the Cortona Sessions for New Music (Italy) in 2014, Summer Performing Arts with Juilliard in 2016, and the Chautauqua Opera Conservatory in 2023. Calloway earned degrees from The Juilliard School (B.M.) and Manhattan School of Music (M.M.). Violinist Ari Streisfeld has garnered critical acclaim worldwide for his performances of diverse repertoire and has established himself as one of the foremost interpreters of contemporary classical music. Praised for his "dazzling performance" by the New York Times and "scintillating playing" by New York Classical Review, Streisfeld is a founding member of the world renowned JACK Quartet. Recent season highlights include performances at Wigmore Hall (London), La Salle Pleyel (Paris), Teatro Colon (Argentina), Suntory Hall (Tokyo), Bali Arts Festival (Indonesia), Carriage Works (Sydney, Australia), Venice Biennale (Italy), Carnegie Hall, The Library of Congress, The Morgan Library (New York), the Lucerne Festival (Switzerland), and the Salzburg Festival (Austria). He has collaborated with many of today's most prominent composers including John Luther Adams, Caroline Shaw, Julia Wolfe, Helmut Lachenmann, Matthias Pintscher, Georg Friedrich Haas, Steve Reich, and Salvatore Sciarrino. Streisfeld's arrangements of madrigals and motets for string quartet by Machaut and Gesualdo have been performed to acclaim both at home and abroad. A recipient of the Morton Gould Young Composer Award, Streisfeld most recently premiered his Machaut arrangements for voice and violin at The Stone (New York). A passionate and committed music educator, Streisfeld serves on the faculty of New York's Special Music School, Face the Music, New Music on the Point, and the Cortona Sessions for New Music (Italy). He is assistant professor of violin pedagogy at the University of South Carolina School of Music. Streisfeld attended the Eastman School of Music (Bachelor of Music), Northwestern University (Master of Music), and Boston University (Doctor of Musical Arts). He has recorded for Mode, Albany, Carrier, Innova, Canteloupe, and New World Records.

About the DirectorAndy Miller is lecturer in music in percussion at the Indiana University Jacobs School of Music, with an emphasis in Latin jazz and Afro-Latin percussion music. An engaging performer and passionate educator, he navigates the diverse world of percussion with technical and musical precision across a broad range of artistic practices. Fostering a deep interest in the percussion music of the African diaspora, Miller has studied with master percussionists in the United States and internationally. A Fulbright grant recipient, Miller studied Afro-Colombian currulao, cumbia, and bullerengue in Colombia with La Wey Segura, Francis Lara, and Emilsen Pacheco, later returning on a Presser Graduate Music Award to study joropo music with Fernando Torres Ramirez. Miller conducted field research in Brazil with Jorge Alabê for his doctoral project, "The Language of Drumming in Afro-Brazilian Candomblé Ketu." His study of bomba percussion, song, and dance took him to Puerto Rico to study with Beto Torrens, Marién Torres, Rafa Maya, and Hector "Coco" Baréz. He studied Guinean mande drumming with Bolokada Conde and Afro-Cuban folkloric and popular percussion with Michael Spiro. Miller also champions percussion art music by Latin American composers, including a performance of Ricardo Lorenz's Venezuelan maracas concerto Pataruco with the Jacobs School's University Orchestra. Commissions include Maria José by Luis Fernando Sanchez Gooding, Silent Surface by Rafael Llanos, and Monologue IV: Bilingüismo by José Martinez. His commitment to new music has led to residencies with the Bang on a Can Summer Music Festival and the Atlantic Music Festival Contemporary Ensemble. His collaborations with choreographers as a composer/performer have premiered in New York City, throughout the Midwest, and internationally. Miller served as music director of the University of Wisconsin–Milwaukee Dance Department (2017-24), accompanying classes in styles including modern, ballet, West African, and Afro-Latin dance. He previously taught percussion at the Lawrence University Conservatory of Music, Olivet Nazarene University, and Bembé Drum and Dance. Miller earned degrees from IU (D.M.), the University of Illinois Urbana-Champaign (M.M.), and Wright State University (B.M.).

Featuring Eric Bowling, flute (alumnus guest) Jacob Burk, violaSara Dailey, narrator (alumna guest) Helen Ford, cello (guest) Michael Grubb, narrator (guest) Maria Izzo, soprano (alumna guest) Emily Nehus, violin (alumna guest) Paulina Villarreal, mezzo-soprano/narrator RepertoireChappell Kingsland: Confessions of a Murderess (2011)Anthony Plog: Animal Ditties I (1978)Daniel Cueto: Ave (2025)Elaine Fine: Happy Family (2005)Jenni Brandon: The Woman with the Unfathomable Eyes (2010)About the ArtistKimberly Carballo is senior lecturer in music in chamber and collaborative music and director of the Jacobs Virtual Academy at the Indiana University Jacobs School of Music. She joined the Chamber and Collaborative Music Department in 2016, its inaugural year. Carballo is an active international performer and educator, teaching both at the Jacobs School and in her private studio. She is a strong believer in and practitioner of community engagement locally and globally. She founded Reimagining Opera for Kids, a music community engagement and education program based in Bloomington, Indiana, and participates annually as a faculty advisor for the IU portion of the team in the Cheerful Heart Music Education Mission in the Dominican Republic and Haiti. She is a founding member of the Amity Trio, a chamber ensemble that commissions and performs new music in order to amplify underrepresented voices. Carballo is also part of the inaugural and ongoing team for Tunaweza Kimuziki (Through Music All is Possible), a project promoting exchange among music educators, scholars, and performers in Kenya and the United States. Carballo earned a Bachelor of Arts degree from Indiana University (Individualized Major Program) in Music Theory, and a Master of Music in Music Theory from the Jacobs School of Music. She studied piano with Michel Block and Christopher Harding and chamber music with Leonard Hokanson.

Repertoire J. S. Bach: Four Preludes and Fugues from "The Well-Tempered Clavier, Book 2" (BWVv890-93) Freund: Preludes (including the premiere of "Prelude 2026…Luminous Shadows…")About the ArtistDon Freund is professor of music in composition at the Indiana University Jacobs School of Music, where he has been on faculty since 1992. His students from a 50-year teaching career continue to win an impressive array of awards and recognitions. He has been described as "a composer thoughtful in approach and imaginative in style" (The Washington Post), whose music is "exciting, amusing, disturbing, beautiful, and always fascinating" (Music and Musicians, London). He is an internationally recognized composer with works ranging from solo, chamber, and orchestral music to pieces involving live performances with electronic instruments, music for dance, and large theater works. Many of his works are available on commercial CD. The recipient of numerous awards and commissions, including two grants from the National Endowment for the Arts and a Guggenheim Fellowship, Freund has served as guest composer at a vast array of universities and music festivals, and presented master classes throughout Europe, Australia, Asia, Africa, and South America. He is also active as a pianist, conductor, and lecturer. As a festival coordinator, he has programmed over 1,000 new American works. He has been conductor or pianist in the performance of some 200 new pieces, usually in collaboration with the composer. Freund's piano concert repertoire extends from new music to complete performances of Bach's The Well-Tempered Clavier and his own pianistic realizations of Machaut. He has performed his Earthdance Concerto with numerous university wind ensembles. Up-to-date news on works and performances as well as videos, audio files, and pdf scores of over 100 of his compositions can be found at DonFreund.com.

Faculty/Guest Chamber Music Recital

Enjoy this performance from almost anywhere in the world viaLIVE@jacobs!Repertoire Rossini: Petite messe solennelleAbout the ConductorBetsy Burleigh is Thomas R. Kasdorf Professor of Choral Conducting and professor of music at the Indiana University Jacobs School of Music, where she was chair of the Choral Conducting Department from 2013 to 2024. Burleigh served as music director of the Mendelssohn Choir of Pittsburgh from 2006 to 2015, leading performances of Brahms' Requiem, Bach's B Minor Mass, Rachmaninoff's All-Night Vigil, and Mozart's Great Mass in C Minor, and preparing the choir for performances with the Pittsburgh Symphony Orchestra (PSO). As a guest conductor, Burleigh has led the PSO, Rhode Island Philharmonic, Akron Symphony, Canton Symphony, and Handel Society of Dartmouth College. She prepared the Tanglewood Festival Chorus for performances with the Boston Symphony Orchestra and the Cincinnati May Festival Chorus for performances with the Cincinnati Pops. Burleigh served as assistant director of The Cleveland Orchestra Chorus for 11 years, during which time she prepared the chorus for all performances at the Blossom Festival and oversaw the chorus for Pierre Boulez's Deutsche Gramophone recording of Berlioz's Roméo et Juliette. Other positions have included directing the Providence Singers, Akron Symphony Chorus, Canton Symphony Chorus, and Mastersingers of Lexington. Acclaimed for her oratorio conducting, Burleigh's Chorus pro Musica performance of Haydn's Creation was praised as an "expansive, poetic reading" (The Boston Globe). Her rendition of Orff's Carmina Burana was called both "nuanced" and "hair-raising" (The Boston Musical Intelligencer). She won the 2000 Northern Ohio Live Achievement Award for best classical/opera performance for Ulmann's Der Kaiser von Atlantis and conducted The Cleveland Orchestra Chorus on an Emmy Award-winning concert for the 9/11 Red Cross Disaster Relief Fund. Burleigh previously held teaching positions at Tufts, Clark, Southeastern Massachusetts, and Cleveland State universities, Longy School of Music, and the Massachusetts Institute of Technology. She earned a Bachelor of Music Education degree with distinction from Indiana University, a Master of Music in Choral Conducting degree with distinction from the New England Conservatory of Music, and a Doctor of Music in Choral Conducting from the Jacobs School. Meeting URL:

About the DirectorNatalie Boeyink, bassist and educator, serves as associate professor of music jazz studies at the Indiana University Jacobs School of Music. After earning her doctorate in music education at the Jacobs School in 2015, Boeyink spent eight years as a jazz lecturer and senior lecturer in the University of North Carolina system. She earned an M.M. in Jazz Performance at the University of Louisville and a B.M. in Jazz Studies at Jacobs. Her interest in the educational experiences and careers of jazzwomen has launched a series of research projects, conference presentations and publications, including her dissertation, "An Analysis and Description of Female Jazz Instrumentalists." An advocate for jazzwomen, Boeyink served as chair of the Jazz Education Network's Women in Jazz Committee and worked to reestablish the Sisters in Jazz Collegiate Combo Competition. Batuquê Trio is Boeyink's seasoned collaboration with drummer Andy Smith and pianist Jamaal Baptiste. Focusing on contemporary Brazilian, Afro-Cuban, and Caribbean jazz, the trio frequently appears at jazz festivals as performers and clinicians. Their first CD, Transparency, was released in 2015. A second album is forthcoming in 2024. Some of Boeyink's notable performances include appearances with Tammy McCann, Jamie Baum, Ingrid Jensen, Terri Lyne Carrington, Christine Jensen, Leni Stern, Jovino Santos Neto, Joe Piscopo, David "Fathead" Newman, Jon Hendricks, Jeff Coffin, David Liebman, and Lorraine Feather.

Sean Dobbins Group and Luke Gillespie Group 3

About the Director A winner of the S&R Foundation Washington Award and Astral Artists National Auditions, trombonist Brittany Lasch is associate professor of music in trombone at the Indiana University Jacobs School of Music, where she has taught since 2023. Lasch has appeared as a soloist throughout the world with ensembles ranging from the U.S. Army Band "Pershing's Own" to the Queens Symphony and the Sante Fe (Argentina) Municipal Band. With playing described as "masterful" (Syracuse Post-Standard), American Record Guide recently hailed Lasch as an "excellent soloist" across a diverse range of repertoire. Lasch has been a featured guest artist at numerous festivals, including the International Trombone Festival, the International Women's Brass Conference, and the American Trombone Workshop. For six seasons, Lasch was the principal trombone of the Detroit Opera Orchestra at the Detroit Opera House. She has performed with orchestras nationwide, such as the San Francisco Symphony, the Los Angeles Philharmonic, Indianapolis Symphony, St. Louis Symphony, Detroit Symphony, and the Nashville Symphony. An active presence in the global trombone community, Lasch has recently performed at Argentina's Trombonanza and Portugal's Gravíssimo Festival. An advocate for new music, Lasch has commissioned and performed several new pieces for the trombone, including acclaimed composer Reena Esmail's major Sonata for Trombone and Piano, which is featured on her debut album, Dark Horse (available on all streaming platforms). Lasch has previously served as faculty at the College of Musical Arts at Bowling Green State University and the Boston University Tanglewood Institute. She has also been a featured teacher and performer at summer festivals, including the Sewanee Music Festival and the DC Trombone Workshop, and she has presented master classes at universities across the country and internationally.

About the DirectorDaniel Duarte is senior lecturer in music in guitar at the Indiana University Jacobs School of Music. He is an active guitarist, arranger, conductor, and lecturer who has collected prizes in several guitar and chamber music competitions in the United States, Europe, and Latin America. Duarte is also a multi-instrumentalist who performs on different types of guitars and as a flutist. Duarte's primary studies were with guitarist Henrique Pinto, followed by William Buonocore, Eliot Fisk, and Ernesto Bitetti. He earned a D.M. at the Jacobs School while focusing his academic research on the topic of multiculturalism and guitar music. During his doctoral studies, Duarte had his research supported by the Presser Foundation as a recipient of the outstanding graduate music student award. His academic work also lead Marshall University to award him the Joan C. Edwards Distinguished Professor of Arts award. At Jacobs, he is the founder and director of the Guitar Ensemble, composed of 12 undergraduate and graduate students who perform fundamental repertoire related to the classical guitar tradition and various other styles while featuring original works and arrangements written specifically for the ensemble. Duarte also directs the IU All-Campus Guitar Ensemble and teaches general education lectures that cover broad historical subjects related to music and guitar. At Jacobs, he has also collaborated as director of ensembles of the Latin American Music Center. As a touring artist, Duarte presents concerts with fellow guitarist and Jacobs faculty member Petar Jankovic. The duo has had dozens of appearances since 2016, reaching audiences throughout the United States and abroad while featuring a modern approach to the classical guitar repertoire during concerts and master classes.

About the DirectorDaniel Duarte is senior lecturer in music in guitar at the Indiana University Jacobs School of Music. He is an active guitarist, arranger, conductor, and lecturer who has collected prizes in several guitar and chamber music competitions in the United States, Europe, and Latin America. Duarte is also a multi-instrumentalist who performs on different types of guitars and as a flutist. Duarte's primary studies were with guitarist Henrique Pinto, followed by William Buonocore, Eliot Fisk, and Ernesto Bitetti. He earned a D.M. at the Jacobs School while focusing his academic research on the topic of multiculturalism and guitar music. During his doctoral studies, Duarte had his research supported by the Presser Foundation as a recipient of the outstanding graduate music student award. His academic work also lead Marshall University to award him the Joan C. Edwards Distinguished Professor of Arts award. At Jacobs, he is the founder and director of the Guitar Ensemble, composed of 12 undergraduate and graduate students who perform fundamental repertoire related to the classical guitar tradition and various other styles while featuring original works and arrangements written specifically for the ensemble. Duarte also directs the IU All-Campus Guitar Ensemble and teaches general education lectures that cover broad historical subjects related to music and guitar. At Jacobs, he has also collaborated as director of ensembles of the Latin American Music Center. As a touring artist, Duarte presents concerts with fellow guitarist and Jacobs faculty member Petar Jankovic. The duo has had dozens of appearances since 2016, reaching audiences throughout the United States and abroad while featuring a modern approach to the classical guitar repertoire during concerts and master classes.

PerformersMark Kaplan, violin Jaekeun Song, pianowithPei-San Chiu, fluteJeffrey Curnow, trumpetDavid Dzubay, conductorBrittany Lasch, tromboneAndrea Levine, clarinetKathleen McLean, bassoonDenise Tryon, hornJessica Warren, oboeAdditional performers to be announcedRepertoire Schoenberg: Phantasy, Op. 47 (1949)Webern: Four Pieces, Op. 7 (1910/14)Berg: Kammerkonzert for piano, violin, and 13 winds (1925)About the Artists A soloist of international distinction, violinist Mark Kaplan has performed with nearly every American, European, and Australian orchestra, and with many of the world's great conductors, including Ormandy, Rattle, Maazel, Masur, Dutoit, Salonen, Semkov, Skrowaczewski, and Tennstedt. He has made highly acclaimed concerto and recital appearances in all the musical centers of America and Europe, as well as in Australia, New Zealand, Malaysia, Hong Kong, China and Singapore. Kaplan is also devoted to chamber music, appearing with pianist Yael Weiss and cellist Peter Stumpf as the Weiss-Kaplan-Stumpf Trio, with recordings and concert tours world-wide. Prior to that he performed and recorded extensively for two decades in the Golub-Kaplan-Carr Trio with cellist Colin Carr and the late pianist David Golub. Especially known for his interpretations of twentieth- and twenty-first-century works and the great German classics, his extensive discography of over 45 commercial CDs includes concertos, solo, and chamber works from Paganini, Bartók, Berg, Sarasate, and Nono to Schubert, Brahms, and Schumann, as well as two complete recordings of Bach's solo violin works. Since 2005, he has been professor of music in violin at the Indiana University Jacobs School of Music, following a decade as professor at UCLA. Kaplan is a graduate of The Juilliard School, where he studied with Dorothy DeLay.Pei-San Chiu is adjunct associate professor of music in flute at the Indiana University Jacobs School of Music. An internationally acclaimed Taiwanese flutist and educator, she debuted at Carnegie Hall in 2012 as first-prize winner of the Alexander & Buono International Flute Competition and has performed across the United States, Brazil, Japan, South Korea, Hong Kong, China, and Singapore in solo, chamber, and orchestral settings. From 2013 to 2016, Chiu served as principal flute of the Lexington Philharmonic, praised by the Lexington Herald-Leader for her "character and vitality," and has performed as guest principal with the National Symphony Orchestra in Taiwan, the Guangzhou Symphony, and the Shenzhen Symphony. A passionate advocate for contemporary music, she has commissioned and premiered works by Bin Li, Tsung-Jen Hsieh, Mei-Chun Chen, Zhou Tian, and Yu-Chun Hu. Her solo album, Air, featuring works by female composers, was nominated for Best Art Music Album at the 2025 Golden Melody Awards in Taiwan. She also performs with the Formosa Trio, Aureus Duo, and Trio 2:1, releasing albums including First Impression, Anniversary, and The Sound of Flowers. Chiu has also been associate professor of flute at Tunghai University since 2016. She earned Master of Music and Doctor of Music degrees from the Jacobs School and received the 2020 Teaching Excellence Award at Tunghai University. She continues to inspire audiences and students alike through her innovative artistry and dedication to advancing the flute repertoire and pedagogy.Jeffrey Curnow is professor of music in trumpet at the Indiana University Jacobs School of Music. He began his career as an undergraduate at Temple University, where he quickly won a coveted position as concerto competition soloist at the Philadelphia Academy of Music. In 1983, Curnow was appointed principal trumpet of the New Haven Symphony and soon after, became a member of the New York Trumpet Ensemble, recording on the MMG/Vox and Newport Classics labels. Four years later, he joined the internationally renowned Empire Brass Quintet. Over the course of his tenure with this ensemble, he recorded 15 compact discs for the Angel EMI and Telarc labels, appeared on The Today Show, Good Morning America, St. Paul Sunday Morning, Taipei Television, Japan Television, and BBC Television and Radio, and performed with such ensembles as the Philadelphia Orchestra, Chicago Symphony Orchestra, Saint Louis Symphony Orchestra, National Symphony Orchestra, Minnesota Orchestra, and major orchestras in Japan and Switzerland. In 1995, Curnow was appointed principal trumpet of the Dallas Symphony Orchestra, recording 14 CDs on the Delos label and appearing as soloist on several occasions, notably for Lowell Liebermann's Concerto for Trumpet and Orchestra, and Bach's Brandenburg Concerto No. 2. In 2001, he joined the Philadelphia Orchestra as associate principal trumpet, touring worldwide with the ensemble and recording on the Ondine and Deutsche Grammophon labels. Well established as an educator, Curnow has taught at the University of Connecticut, Boston University, Boston University's Tanglewood Institute, the Royal Academy of Music in London, Temple University, and the Curtis Institute of Music. He earned a Bachelor of Music from Temple University.David Dzubay's compositions have been performed in the United States, Europe, Canada, Mexico, and Asia by the symphony orchestras of Aspen, Atlanta, Baltimore, Boston, Cincinnati, Detroit, Fort Wayne, Guangxi, Guiyang, Honolulu, Kansas City, Louisville, Memphis, Minnesota, Oregon, Oakland, St. Louis and Vancouver; the American Composers Orchestra, National Symphonies of Ireland and Mexico, New World Symphony, National Repertory Orchestra, and New York Youth Symphony; and ensembles including the Grossman Ensemble, Le Nouvel Ensemble Moderne, Onix, Manhattan and St. Louis Brass Quintets, Voices of Change, the Alexander, Orion and Pacifica string quartets, the League/ISCM, Earplay, and the San Francisco Contemporary Music Players. His music has been championed by conductors including James DePreist, George Hanson, Keith Lockhart, David Loebel, Michael Morgan, Eiji Oue, Richard Pittman, Iván del Prado, Mark Russell Smith, Lawrence Leighton Smith, Michael Stern, Carl Topilow, David Wiley, Kirk Trevor, Thomas Wilkins, and David Zinman. Honors include two Fromm Music Foundation commissions; Guggenheim, MacDowell, Yaddo, Copland House, and Djerassi fellowships; the Kuhmo Chamber Music Festival Composition Competition, Indianapolis Chamber Orchestra Composition Competition, Utah Arts Festival Commission, William Revelli and Walter Beeler Memorial Prizes, Wayne Peterson Prize; and grants from the Aaron Copland Fund for Music for two portrait CDs. Currently professor of music and director of the New Music Ensemble at the Indiana University Jacobs School of Music in Bloomington, Dzubay was previously on the faculty of the University of North Texas in Denton. Since 2011, he has taught composition for three weeks each summer at the Brevard Music Center. From 1995 to 1998, he served as composer-consultant to the Minnesota Orchestra and during the 2005-06 season, he was Meet the Composer/American Symphony Orchestra League Music Alive Composer-in-Residence with the Green Bay Symphony Orchestra. Dzubay has conducted at the Tanglewood, Aspen, and June in Buffalo festivals as well as the National Symphony of Columbia, Grossman Ensemble, League of Composers Orchestra, Pittsburgh New Music Ensemble, Music from China, and Voices of Change. A winner of the S&R Foundation Washington Award and Astral Artists National Auditions, trombonist Brittany Lasch is associate professor of music in trombone at the Indiana University Jacobs School of Music, where she has taught since 2023. Lasch has appeared as a soloist throughout the world with ensembles ranging from the U.S. Army Band "Pershing's Own" to the Queens Symphony and the Sante Fe (Argentina) Municipal Band. With playing described as "masterful" (Syracuse Post-Standard), American Record Guide recently hailed Lasch as an "excellent soloist" across a diverse range of repertoire. Lasch has been a featured guest artist at numerous festivals, including the International Trombone Festival, the International Women's Brass Conference, and the American Trombone Workshop. For six seasons, Lasch was the principal trombone of the Detroit Opera Orchestra at the Detroit Opera House. She has performed with orchestras nationwide, such as the San Francisco Symphony, the Los Angeles Philharmonic, Indianapolis Symphony, St. Louis Symphony, Detroit Symphony, and the Nashville Symphony. An active presence in the global trombone community, Lasch has recently performed at Argentina's Trombonanza and Portugal's Grav��ssimo Festival. An advocate for new music, Lasch has commissioned and performed several new pieces for the trombone, including acclaimed composer Reena Esmail's major Sonata for Trombone and Piano, which is featured on her debut album, Dark Horse (available on all streaming platforms). Lasch has previously served as faculty at the College of Musical Arts at Bowling Green State University and the Boston University Tanglewood Institute. She has also been a featured teacher and performer at summer festivals, including the Sewanee Music Festival and the DC Trombone Workshop, and she has presented master classes at universities across the country and internationally. A native of Queens, New York, Andrea Levine was appointed principal clarinet of the Louisville Orchestra in 2003. She also served as acting principal clarinet of the Detroit Symphony Orchestra for the 2017-18 season. She won the position of interim assistant principal of the Colorado Symphony during the 2011-12 season. She also won the position of interim second clarinet of the Cleveland Orchestra during the 2007-08 season and joined them on two European tours. Prior to joining the Louisville Orchestra, she spent a year as a member of the New World Symphony in Miami, Florida. Before joining New World, she served as interim principal clarinet of the Akron Symphony while completing a Professional Studies Diploma at the Cleveland Institute of Music. She earned an undergraduate degree at the Eastman School of Music. In addition to serving as principal clarinet of the Britt Festival Orchestra, she has held the same position at the Artosphere Festival. She has appeared as guest principal clarinet of the Cincinnati , Baltimore , Detroit , and Saint Louis symphony orchestras. She has also appeared as a soloist with the Louisville Orchestra, Detroit Symphony, Artosphere Festival Orchestra, the New World Symphony, and Eastman Philharmonia. Levine is also an active teacher, having presented master classes at the Eastman School of Music, University of Michigan, University of Florida, Cincinnati Conservatory of Music, University of Tennessee, and University of Louisville. She is currently adjunct associate professor of music in clarinet at the Indiana University Jacobs School of Music. Her teachers have included Daniel Gilbert, Kenneth Grant, Franklin Cohen, Yehuda Gilad, Mitchell Estrin, and Ricardo Morales. She loves living in Louisville with her husband, Jack Griffin, and their two cockapoos, Gus and Leo.Kathleen McLean is associate professor of music (bassoon) at the Indiana University Jacobs School of Music. She is one of the most acclaimed orchestral bassoonists in North America. Internationally recognized, McLean was the associate principal bassoon of the Toronto Symphony Orchestra from 1992 to 2009 and is a sought-after chamber and orchestral musician, recitalist, and teacher. She was appointed to the faculty of the University of Toronto in 1989, became a faculty member at the Royal Conservatory of Music and the Glenn Gould Professional School in 2002, and began as a bassoon instructor with the National Youth Orchestra of Canada in 2009. McLean's former orchestral appointments include principal bassoon of the Canadian Opera Company and guest principal bassoon with the London Symphony Orchestra and the National Arts Centre Orchestra. Since 2001, she has toured extensively with the prestigious World Orchestra for Peace under the baton of Valery Gergiev. McLean has participated in many chamber music festivals, including the Evian International Festival, Vancouver Chamber Music Festival, Scotia Festival, and the Ottawa Chamber Music Festival. She performs frequently with New Music Concerts, Amici Ensemble, and is a founding member of the Caliban Quartet, Toronto Wind Quintet, and the Canadian Winds.Denise Tryon is professor of music in horn at the Indiana University Jacobs School of Music, where she has taught since 2023. She previously served as professor of horn at the University of Cincinnati College-Conservatory of Music. She joined the famed American Horn Quartet as fourth horn in 2019. She was previously fourth horn of the Philadelphia Orchestra and held positions with the Detroit, Baltimore, Columbus, and New World Symphonies. She also served as horn professor at the Peabody Institute from 2007 to 2019. Tryon attended the Interlochen Arts Academy and earned a Bachelor of Music degree from the New England Conservatory of Music (NEC). She received the Presidential Scholarship while in the Artist Diploma Program at NEC with the Taiyo Wind Quintet, which won the Coleman Chamber Competition. An active and accomplished educator, Tryon has taught master classes extensively in the United States, Scandinavia, Europe, Asia, and South America. She has been a featured artist at many International Horn Society Symposiums and Regional Workshops and has been a featured artist at the Nordic Hornfest, Blekinge International Brass Academy, Warsaw Horn Workshops, CORNO Brass Music Workshop, and Domaine Forget. Since 2017, she's been a faculty member at Rafael Mendez Brass Institute in Denver. She is frequently on faculty with Carnegie Hall's National Youth Orchestra. A champion of new music, Tryon commissioned four new pieces for low horn and piano for her 2015 album SO-LOW. The American Prize awarded her with a special judges' citation for Important Commitment to the Music of Our Time. She commissioned six pieces for low horn for her 2020 album Hope Springs Eternal, for which she won the 2022 American Prize in Instrumental Performance. Her 2017 horn duo album A Pair of Aces, featuring Tryon and Karl Pituch, won a silver medal from the Global Music Awards. In 2009, she and Pituch founded the annual horn seminar Audition Mode, which focuses on the skills horn players need to be successful in orchestral auditions.Jessica Warren is adjunct associate professor of music in oboe at the Indiana University Jacobs School of Music. She performs regularly with leading ensembles including the National Symphony Orchestra, Kennedy Center Opera House Orchestra, Wintergreen Festival Orchestra, and Berkshire Bach Society. She recently served as guest principal oboe with the United States Air Force Band during its spring 2024 multistate tour. A Jacobs School alumna and two-time fellow at the Tanglewood Music Center, Warren brings significant teaching experience from positions at George Washington University, the Interlochen Center for the Arts, and the New England Conservatory. Warren specializes in oboe reedmaking education and oboe gouging machine training. Her dissertation, "Significant Learning as Reedmaking Pedagogy," evaluated and reimagined collegiate reedmaking curricula. She regularly presents lectures and master classes in the area of mindfulness in reedmaking and practicing. Warren earned a Doctor of Musical Arts degree from Boston University, studying under John Ferrillo. She earned a Performer Diploma and a Master of Music degree under Linda Strommen at Jacobs and a bachelor's degree under Robert Sorton at The Ohio State University.

About the DirectorsWayne Wallace is professor of practice in jazz studies and jazz trombone at the IU Jacobs School of Music. A seven-time Grammy nominee, he is one of the most respected exponents of African American Latin music in the world today. Wallace is known for his use of traditional forms and styles in combination with contemporary music and has earned wide critical acclaim, including placement in both the trombone and producer categories of the DownBeat Critics Poll. An accomplished arranger, educator, and composer with compositions for film and television, he has received grants from the Creative Work Fund, the National Endowment for the Arts, the Lila Wallace Foundation, and the San Francisco Arts Commission. Wallace has performed, recorded, and studied with many acknowledged masters of the Afro-Latin and jazz idioms, such as Aretha Franklin, Bobby Hutcherson, Earth Wind and Fire, Pete Escovedo, Santana, and many more. This experience has provided a solid foundation for Wallace's current explorations of the intersections of a wealth of cultural styles and rhythmic concepts. Born and raised in San Francisco, Wallace was exposed to blues, country and western, R&B, jazz, and Afro-Caribbean music at an early age. The fertile musical environment of the San Francisco Bay Area shaped his career. His studies of Afro-Latin music and jazz include trips to Cuba, New York City, and Puerto Rico. Widely respected as a teacher and historian, Wallace has taught at San José State University, Stanford University, and the Jazzschool in Berkeley. He has conducted lectures, workshops, and clinics in the Americas and Europe since 1983. Head of the critically acclaimed Patois Records, Wallace has created a unique record label with a passionate mission of developing and chronicling the multilingual styles of the San Francisco Bay Area music scene. Under his direction the label has released 13 recordings to critical acclaim, including recordings by Wallace, Marc and Paul van Wageningen, and vocalists Kat Parra, Alexa Weber-Morales, and Kristina. He is an endorser of Conn-Selmer trombones.Andy Miller is lecturer in music in percussion at the Indiana University Jacobs School of Music, with an emphasis in Latin jazz and Afro-Latin percussion music. An engaging performer and passionate educator, he navigates the diverse world of percussion with technical and musical precision across a broad range of artistic practices. Fostering a deep interest in the percussion music of the African diaspora, Miller has studied with master percussionists in the United States and internationally. A Fulbright grant recipient, Miller studied Afro-Colombian currulao, cumbia, and bullerengue in Colombia with La Wey Segura, Francis Lara, and Emilsen Pacheco, later returning on a Presser Graduate Music Award to study joropo music with Fernando Torres Ramirez. Miller conducted field research in Brazil with Jorge Alabê for his doctoral project, "The Language of Drumming in Afro-Brazilian Candomblé Ketu." His study of bomba percussion, song, and dance took him to Puerto Rico to study with Beto Torrens, Marién Torres, Rafa Maya, and Hector "Coco" Baréz. He studied Guinean mande drumming with Bolokada Conde and Afro-Cuban folkloric and popular percussion with Michael Spiro. Miller also champions percussion art music by Latin American composers, including a performance of Ricardo Lorenz's Venezuelan maracas concerto Pataruco with the Jacobs School's University Orchestra. Commissions include Maria José by Luis Fernando Sanchez Gooding, Silent Surface by Rafael Llanos, and Monologue IV: Bilingüismo by José Martinez. His commitment to new music has led to residencies with the Bang on a Can Summer Music Festival and the Atlantic Music Festival Contemporary Ensemble. His collaborations with choreographers as a composer/performer have premiered in New York City, throughout the Midwest, and internationally. Miller served as music director of the University of Wisconsin–Milwaukee Dance Department (2017-24), accompanying classes in styles including modern, ballet, West African, and Afro-Latin dance. He previously taught percussion at the Lawrence University Conservatory of Music, Olivet Nazarene University, and Bembé Drum and Dance. Miller earned degrees from IU (D.M.), the University of Illinois Urbana-Champaign (M.M.), and Wright State University (B.M.).

Guest Master Class and Recital

Repertoire Quantz: Trio Sonata in C Minor, QV 2:Anh. 5Ginastera: Duo, Op. 13 (1945)Dring : Trio (1968)Still: Miniatures (1948)Gaubert: Tarentelle (1903)About the ArtistPei-San Chiu is an internationally acclaimed Taiwanese flutist and educator. She debuted at Carnegie Hall in 2012 as first-prize winner of the Alexander & Buono International Flute Competition and has performed across the United States, Brazil, Japan, South Korea, Hong Kong, China, and Singapore in solo, chamber, and orchestral settings. From 2013 to 2016, she served as principal flute of the Lexington Philharmonic, garnering praise for her "character and vitality" (Lexington Herald-Leader), and has performed as guest principal with the National Symphony Orchestra in Taiwan, Guangzhou Symphony, and Shenzhen Symphony. A passionate advocate for contemporary music, she has commissioned and premiered works by Bin Li, Tsung-Jen Hsieh, Mei-Chun Chen, Zhou Tian, and Yu-Chun Hu. Her solo album Air, featuring works by female composers, was nominated for Best Art Music Album at the 2025 Golden Melody Awards in Taiwan. She also performs with the Formosa Trio, Aureus Duo, and Trio 2:1, releasing albums including First Impression, Anniversary, and The Sound of Flowers. Chiu is associate professor of flute at Tunghai University, where she received the 2020 Teaching Excellence Award, and adjunct associate professor of flute at the Indiana University Jacobs School of Music. She earned Master of Music and Doctor of Music degrees from the Jacobs School. Chiu continues to inspire audiences and students alike through her innovative artistry and dedication to advancing the flute repertoire and pedagogy.Hsuan Chang Kitano is adjunct lecturer in music in historical performance (fortepiano and harpsichord) at the Indiana University Jacobs School of Music, where she has been on faculty since 2013. Her performance and recording engagements on fortepiano, harpsichord, basso continuo, and piano have taken her to prominent venues in Taiwan, Singapore, Malaysia, Germany, Italy, and the United States. A prizewinning keyboard soloist, she has been the winner of the Indianapolis Baroque Orchestra/Early Music Institute Concerto Competition (harpsichord) and the Early Music Institute Concerto Competition (fortepiano). Her playing on harpsichord and fortepiano has been praised for its "elegance with admirable clarity" (The Herald-Times). Kitano is an active scholar in the field of eighteenth-century keyboard music. Her research on improvisation in keyboard music of the Classical Era was influenced by Robert Levin while she worked as a visiting scholar at Harvard University. Her historical keyboard performances have been informed by master classes of Skip Sempé, Pierre Hantai, Christopher Rousset, Trevor Pinnock, and Malcolm Bilson. Kitano's current research focuses on intercultural musical improvisation. Building on her knowledge of historical performance practice of Baroque thorough bass and eighteenth-century improvisation on cadenza and Eingänge, she has conducted collaborative projects with traditional music of India, Taiwan, and China. She also works with museums on historical keyboard instrument restoration in addition to a project regarding a different tuning system on her recording of the Bach Goldberg Variations at Zuckermann Harpsichords International. Kitano earned D.M. and M.M. degrees from the Jacobs School.Melivia Raharjo is lecturer in music in collaborative piano at the Indiana University Jacobs School of Music. Born in Indonesia, she is an avid collaborative pianist and has appeared in chamber performances with such renowned artists as the Takács Quartet, Roger Vignoles, Jaime Laredo, Olga Dubossarskaya Kaler, Mark Kosower, and Richard Weiss. One of the official pianists of the 11th International Violin Competition of Indianapolis in 2022, she was awarded special prizes for best performances of the Mozart and Beethoven sonatas with gold medalist Sirena Huang. She also has been playing for the cello master class program in Hidden Valley Music Seminar since 2022. Raharjo is a Music Academy of the West alumna and won the Duo Competition with violist Keoni Bolding in 2021. As part of the prize package, they performed a recital in Santa Barbara for which they created a program including special lighting effects to enhance its theme of night, from dusk through dawn. The recital also included the world premiere of Conrad Tao's "Churn." Previously, she worked as a staff pianist at the Cleveland Institute of Music, where she studied with Anita Pontremoli for her master's degree and artist diploma in collaborative piano. Raharjo discovered her passion in collaborating with other musicians while pursuing a bachelor's degree at Yong Siew Toh Conservatory of Music in Singapore, studying with Albert Tiu. Performing with other musicians who are passionate about music brings so much joy to her life she hopes that their performances inspire others to play more chamber music in the future.Jessica Warren is adjunct associate professor of music in oboe at the Indiana University Jacobs School of Music. She performs regularly with leading ensembles including the National Symphony Orchestra, Kennedy Center Opera House Orchestra, Wintergreen Festival Orchestra, and Berkshire Bach Society. She recently served as guest principal oboe with the United States Air Force Band during its spring 2024 multistate tour. A Jacobs School alumna and two-time fellow at the Tanglewood Music Center, Warren brings significant teaching experience from positions at George Washington University, the Interlochen Center for the Arts, and the New England Conservatory. Warren specializes in oboe reedmaking education and oboe gouging machine training. Her dissertation, "Significant Learning as Reedmaking Pedagogy," evaluated and reimagined collegiate reedmaking curricula. She regularly presents lectures and master classes in the area of mindfulness in reedmaking and practicing. Warren earned a Doctor of Musical Arts degree from Boston University, studying under John Ferrillo. She earned a Performer Diploma and a Master of Music degree under Linda Strommen at Jacobs and a bachelor's degree under Robert Sorton at The Ohio State University.

Repertoire Pärt Uusberg: Muusika (2003)Tracy Wong: JAM! (Jom-Ayuh-Mari!) (2021) Rosephanye Powell: To Sit and Dream (2008)Schubert: Psalm 23: Gott ist mein Hirt, D.706 (1820)Schütz: Cantate Domino, SWV 81Kim André Arnesen: Even When He Is Silent (2011)Katerina Gimon: 'Fire' from "Elements" (2013/16)Bob Dylan/Adam Podd: The Times They Are a-Changin' (1963)Alexandra Olsavsky: What Happens When a Woman (2017)Susan Brumfield : No Time (1999)Elaine Hagenberg: Swifter Than Flame (2020)

Repertoire Philip Glass: Symphony No. 15 ("Lincoln") (2023)Keiko Abe: Prism Rhapsody for marimba and orchestra (1995)R. Strauss: Four Symphonic Interludes from "Intermezzo" (1924)

Jacobs Academy

Repertoire to be announcedAbout the DirectorDana Marsh is professor of music (early music/voice), chair of Historical Performance, and director of the Historical Performance Institute at the Indiana University Jacobs School of Music. He coaches singers in historical performance and teaches courses in early notation, performance practice, and musical rhetoric, and has directed Jacobs ensemble recordings for national broadcast on NPR. Beyond IU, Marsh is artistic director of the Washington Bach Consort, where since 2018, he has shaped the ensemble's artistic vision through multi‑year projects and major choral‑orchestral repertoire. The Washington Post has written that under his leadership, the Consort "could go head‑to‑head with period‑performance ensembles anywhere." Marsh focuses on how text, rhetoric, and musical gesture animate historical repertories in performance. As a guest conductor, Marsh has collaborated with leading ensembles in the United States and abroad, including the Choirs and Baroque Orchestra of Washington National Cathedral, Trinity Baroque Orchestra and the Choir of Trinity Wall Street, Cappella Romana, Bach Collegium San Diego, Portland Baroque Orchestra, London Mozart Players, and Studio de musique ancienne de Montréal, as well as at the Lamèque International Baroque Festival. Trained as a chorister at St. Thomas Choir School in New York and Salisbury Cathedral, Marsh earned his undergraduate degree in organ performance from the Eastman School of Music and completed master's and doctoral degrees in historical musicology at the University of Oxford. Before focusing primarily on conducting, he enjoyed an international career as a countertenor and consort singer (1992-2008). He was a core member of the Choir of New College, Oxford, recording extensively and touring internationally; one recording received a Gramophone Early Music Award. As a singer, he appeared with ensembles including the Academy of Ancient Music, American Bach Soloists, Musica Angelica, Seattle Baroque Orchestra, and the New York Collegium under Gustav Leonhardt.

Jacobs Academy

Repertoire to be announcedAbout the ArtistSpencer Myer is among the most respected and sought-after artists on today's concert stage. Myer's orchestral, recital, and chamber music performances have been heard throughout the United States, Canada, Europe, Africa, and Asia. He has been soloist with a host of ensembles, including The Cleveland Orchestra, Cape Town Philharmonic, Indianapolis Symphony Orchestra, Mexico's Orquesta Filarmónica de Jalisco, and Beijing's China National Symphony Orchestra, collaborating with such conductors as Michael Christie, Arthur Fagen, Jahja Ling, Yannick Nézet-Séguin, Thomas Wilkins, and Victor Yampolsky. Myer has played recitals in prominent venues, including New York City's Weill Recital Hall, Philadelphia's Kimmel Center, and London's Wigmore Hall. An in-demand chamber musician, he has collaborated with such notable artists as cellists Lynn Harrell and Ralph Kirshbaum, clarinetist David Shifrin, soprano Nicole Cabell, the Miami, Jupiter, and Pacifica string quartets, and the Dorian Wind Quintet. Myer's career was launched with three important prizes: first prize in the 2004 UNISA International Piano Competition, the 2006 Christel DeHaan Classical Fellowship from the American Pianists Association, and the gold medal from the 2008 New Orleans International Piano Competition. He is a laureate of the 2007 William Kapell, 2005 Cleveland, and 2005 Busoni International Piano Competitions. Myer enjoys an esteemed reputation as a vocal collaborator since winning the 2000 Marilyn Horne Foundation Competition. An enthusiastic educator, he has served as a guest faculty at the Oberlin and Baldwin-Wallace Conservatories of Music and was a member of the piano faculty of Boston's Longy School of Music of Bard College. Myer is associate professor of music (piano) at the IU Jacobs School of Music, where he received a 2024 Trustees Teaching Award. He has released CDs on the harmonia mundi usa and Steinway & Sons labels, including William Bolcom piano rags, Chopin's four impromptus, and four discs with cellist Brian Thornton of works by Brahms, Chopin, Debussy, Schumann, and Rachmaninoff. Myer is a Steinway Artist.

Repertoire to be announcedAbout the DirectorIngrid Matthews teaches baroque violin in the Historical Performance Institute at the Indiana University Jacobs School of Music. She served previously as music director of the Seattle Baroque Orchestra and has appeared as a soloist, guest director, and concertmaster for leading early music ensembles including the New York Collegium, Australian Brandenburg Orchestra, Boston Early Music Festival Orchestra, Ars Lyrica, Tafelmusik Baroque Orchestra, Musica Angelica, The Bach Sinfonia, Indianapolis Baroque Orchestra, and many others. She is also a member of San Francisco-based chamber ensemble Musica Pacifica and has held teaching residencies at the University of Southern California, University of Toronto, Oberlin College, Cornish College of the Arts, New England Conservatory, and others. First prizewinner in the 1989 Erwin Bodky International Competition for Early Music, Matthews herself has served as a juror for competitions such as the Maurice and Lillian Barbash International Bach Competition and the Indianapolis Early Music Competition. She has received high critical acclaim for her extensive discography; her recording of the Sonatas and Partitas for Unaccompanied Violin of J. S. Bach was named "top recommendation for this music...on either period or modern instruments" by American Record Guide, and her recording of Biagio Marini is included in the Norton Anthology of Music used by conservatories and universities worldwide.

Repertoire Augusta Read Thomas: Solstice Ritual (2024)Donald Erb: The Towers of Silence (1974)Dai Fujikura: Bassoon Concerto No. 2 (2026)About the DirectorDavid Dzubay's compositions have been performed in the United States, Europe, Canada, Mexico, and Asia by the symphony orchestras of Aspen, Atlanta, Baltimore, Boston, Cincinnati, Detroit, Fort Wayne, Guangxi, Guiyang, Honolulu, Kansas City, Louisville, Memphis, Minnesota, Oregon, Oakland, St. Louis and Vancouver; the American Composers Orchestra, National Symphonies of Ireland and Mexico, New World Symphony, National Repertory Orchestra, and New York Youth Symphony; and ensembles including the Grossman Ensemble, Le Nouvel Ensemble Moderne, Onix, Manhattan and St. Louis Brass Quintets, Voices of Change, the Alexander, Orion and Pacifica string quartets, the League/ISCM, Earplay, and the San Francisco Contemporary Music Players. His music has been championed by conductors including James DePreist, George Hanson, Keith Lockhart, David Loebel, Michael Morgan, Eiji Oue, Richard Pittman, Iván del Prado, Mark Russell Smith, Lawrence Leighton Smith, Michael Stern, Carl Topilow, David Wiley, Kirk Trevor, Thomas Wilkins, and David Zinman. Honors include two Fromm Music Foundation commissions; Guggenheim, MacDowell, Yaddo, Copland House, and Djerassi fellowships; the Kuhmo Chamber Music Festival Composition Competition, Indianapolis Chamber Orchestra Composition Competition, Utah Arts Festival Commission, William Revelli and Walter Beeler Memorial Prizes, Wayne Peterson Prize; and grants from the Aaron Copland Fund for Music for two portrait CDs. Currently professor of music and director of the New Music Ensemble at the Indiana University Jacobs School of Music in Bloomington, Dzubay was previously on the faculty of the University of North Texas in Denton. Since 2011, he has taught composition for three weeks each summer at the Brevard Music Center. From 1995 to 1998, he served as composer-consultant to the Minnesota Orchestra and during the 2005-06 season, he was Meet the Composer/American Symphony Orchestra League Music Alive Composer-in-Residence with the Green Bay Symphony Orchestra. Dzubay has conducted at the Tanglewood, Aspen, and June in Buffalo festivals as well as the National Symphony of Columbia, Grossman Ensemble, League of Composers Orchestra, Pittsburgh New Music Ensemble, Music from China, and Voices of Change.Five Friends Master Class Series – Honoring Robert SamelsThe Five Friends Master Class Series honoring the lives of five talented Jacobs School of Music students—Chris Carducci, Garth Eppley, Georgina Joshi, Zachary Novak, and Robert Samels—was established in 2012 with a gift of $1 million from the Georgina Joshi Foundation, Inc. This annual series of lectures, master classes, and residencies by a number of the world's leading musicians and teachers focuses on areas of interest most relevant to the lives of the five friends—voice performance, choral conducting, early music, music theory, composition, and opera. The Georgina Joshi Foundation was established in 2007 as the vision of Georgina Joshi's mother, Louise Addicott-Joshi, to provide educational and career development opportunities for young musicians and to encourage and support public performance of music. The gift to the school establishes a permanent way for the world to learn about each of the five friends, their musical talents and passions, and to encourage the development of similar talents and passions in current and future music students. The establishment of this endowment by the families is administered by the IU Foundation. Bass-baritone and composer Robert Samels was born on June 2, 1981, and died in a plane crash on April 20, 2006. He was a doctoral student in choral conducting at the Indiana University Jacobs School of Music and had studied voice with Giorgio Tozzi and Costanza Cuccaro. He began his vocal studies with Alfred Anderson at the University of Akron and Andreas Poulimenos at Bowling Green State University. Samels had recently appeared as Mr. Gibbs in the world premiere of Our Town by Ned Rorem, as Marco in the collegiate premiere of William Bolcom's A View from the Bridge, and as Joseph and Herod in the collegiate premiere of El Nino by John Adams. In September 2005, he conducted the premiere of his own opera, Pilatvs. As a member of the Wolf Trap Opera Company for 2006, he would have added three roles that summer, including Bartolo in Le Nozze di Figaro, Friar Laurence in Roméo et Juliette, and Pluto in Telemann's Orpheus. Other opera credits included the title roles of Don Pasquale and Il Turco in Italia, as well as Leporello in Don Giovanni, Falstaff in TheMerry Wives of Windsor, and Bottom in A Midsummer Night's Dream. In the summer of 2004, he performed Creon in the New York premiere of John Eaton's Antigone. Samels also frequently performed in the oratorio repertoire. In the spring of 2005, he was selected as a semi-finalist in the annual competition of the Oratorio Society of New York. He was an announcer with public radio station WFIU, as well as the host and producer of its Cantabile program. A soloist with Aguavá New Music Studio, he had recently performed a concert at the Library of Congress. Samels was an associate instructor in the Jacobs School's Music Theory Department, where was loved and admired by his students.

Jacobs Academy

Jacobs Academy

Jacobs Academy

Jacobs Academy

Jacobs Academy

Jacobs Academy

Faculty Recital

Faculty Recital

Faculty/Guest Chamber Music Recital